"On the Corner of 12th Street and Vine"
Bob Dylan, Tom Petty & The Heartbreakers and The Queens of Rhythm
24 July 1986
Sandstone Amphitheater, Bonner Springs, Kansas
1st analogue generation ex master>CD>Flac
(CDs Courtesy of Court)
B+, a bit bassy, audience clapping sounds thin. Some volume level issues.
Except for tape-flip cuts, seamless; no track-per-disc breakdown imposed.
177:50.71
Bob Dylan set 1
01. [4:09.47] Kansas City (Jerry Leiber / Mike Stoller)
02. [4:29.25] All Along The Watchtower
03. [3:07.22] Clean-Cut Kid
04. [4:45.53] I'll Remember You
05. [5:08.24] Shot Of Love
06. [4:21.66] We Had It All (Donnie Fritts / Troy Seals)
07. [5:06.20] Masters Of War
Tom Petty & The Heartbreakers set 1
08. [3:53.51] Listen To Her Heart (Tom Petty)
09. [4:02.38] Think About Me (Tom Petty)
10. [6:14.05] The Waiting (Tom Petty)
(tape flip cut)
11. [7:27.56] //Breakdown (Tom Petty)
Bob Dylan set 2
12. [4:13.51] To Ramona
13. [3:53.72] One Too Many Mornings
14. [7:50.05] A Hard Rain's A-Gonna Fall
15. [3:49.16] I Forgot More Than You'll Ever Know (Cecil A. Null)
16. [5:29.31] Band Of The Hand
17. [6:17.67] When The Night Comes Falling
18. [4:32.17] Lonesome Town (Baker Knight)
(tape flip cut)
19. [5:34.23] //Ballad Of A Thin Man
Tom Petty & The Heartbreakers set 2
20. [5:08.29] Straight Into Darkness (Tom Petty)
21. [8:16.03] Spike (Tom Petty)
22. [5:35.62] Tonight Might Be My Night (?)
(tape flip cut)
23. [5:36.02] Refugee (Tom Petty / Mike Campbell)
Bob Dylan set 3
24. [3:48.15] Rainy Day Women #12&35
25. [5:02.47] Seing The Real You At Last
26. [5:53.27] Across The Borderline (Ry Cooder / John Hiatt / Jim Dickinson)
27. [6:54.70] I And I
28. [5:07.08] Leopard-Skin Pill-Box Hat
29. [6:27.69] Like A Rolling Stone
(tape flip cut)
30. [7:22.52] //In The Garden
Encore
31. [5:33.72] Blowin' in the Wind
32. [3:54.53] Shake a Hand (Joseph Morris)
33. [8:41.73] Knockin' on Heaven's Door
Complete concert.
The only "Kansas City" by Bob Dylan (as of 15th May 2006).
(Trivia: Fifteen years later Dylan incorporated the line "12th Street and Vine" to his own "High Water (For Charley Patton)"
on "Love And Theft". The significance of this junction explained in the attached "12thSt&Vine.txt" file.)
The only performance of "Leopard-Skin Pill-Box Hat" in 1986.
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FLAWS:
t06 [0:38] d/o in right channel
t09 [2:37] d/o in left channel
t10 [2:16] flaw (mic bump/strange noise?)
t13 [1:23] two bursts of static, [2:04-2:18] wind noises
t14 [2:21-2:36] wind noises (more later), [7:42] d/o (cut?)
t16 [4:35] volume decrease
t17 [1:37] d/o in left channel, [4:53] volume increase
t19 [0:00] a couple of opening notes lost due to tape flip
t21 [4:00] mic bumps
t23 [5:31-5:33] diginoise (square waves)
t25 [2:41] v small click
t26 [3:26] v small click
t27 [0:11] hiss increase
t29 [1:13, 1:22m, 4:21] wind noise
t30 [0:00] introduction partly cut (cf. BobTalk below); [0:41-1:05] distortions brought on by volume fluctuation;
[3:43-3:49] wind noise
some occasional mic bumps|wind noise|talking b/n songs
------------------------------------------------------------
FINGERPRINTS:
t07 [0:22] woman: "It's funny" twice.
t14 [0:37] man: "Excuse me!"
t21 [7:32] man: "Highway 61" (after Petty mentions Highway 441)
t26 [0:04] man: "Highway 61... 61"
t29 [0:08] man: "Jokerman... Jokerman... Jokerman"; other man: "Highway 61"
t33 [1:30] man (hysterically): "All right! All right! Woooo!"
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MY INVOLVEMENT:
t01 [1:28-1:29] diginoise (square waveform) patched with an unknown-gen version of the same master.
Unpatched track for purists in the "\Unpatched" directory. Both variants sector-aligned; so you can burn the show with either.
t05 [0:43] analogue click REMOVED
t05 [3:12] analogue pop REMOVED
t05 [4:06] analogue pop REMOVED
t11 [3:53] analogue click REMOVED
t19 [1:24] analogue click REMOVED
t23 [1:56] analogue click REMOVED
t32 [1:16-1:23] volume reduction
CD-sourced 0-byte padding(s) deleted to make the recording seamless.
------------------------------------------------------------
BobTalk (mostly stolen from bjorner.com)
* after Kansas City
Well, that's the first time I've ever played that. Well, anyway we know where we are.
* before Listen To Her Heart
OK, thank you! Right now: Tom Petty & The Heartbreakers!
* before Band Of The Hand
OK, anybody out there know what time it is? Right? Tommy Parker, he knows. I'm gonna tell you what time it is.
* before When The Night Comes Falling
All right now, I wanna dedicate this to all fellas over there (...) in prison. Some of those guys are there for doing good things.
* before Lonesome Town
OK, Ricky Nelson he did a lot of my songs. I wanna do one of his. This is called Lonesome Town.
* before Straight Into Darkness
OK, one more time now, Tom Petty & The Heartbreakers!
* before I And I
OK, all right, we're still just across that borderline. 'Cause you're in the middle of the country here. Oh yeah, somebody asked me backstage about the remark I said before about people being in prison for doing good things? Well, I don't know how many people are living in prison for doing good things but..., I was gonna dedicate that to, I'm sure there's some people in there who have been put in there unjustly. So I dedicate it to all of them.
* before Leopard-Skin Pill-Box Hat
All right now, Tom Petty and the Heartbreakers are: on the keyboards, Benmont Tench. He loves it, he wants you to know that. Mike Campbell on lead guitar. Stan Lynch on the drums. Peter Gabriel, is he sitting in tonight? Is he here tonight? Was he sitting in tonight, I'm not sure. Was he? All right, on the bass guitar, from Kansas City, Howie Epstein. Ha-ha. Everybody's got to be from someplace. Anyway, standing over here, is the man who wrote "Refugee", Tom Petty. Of course I can't really go on without introducing my own Heartbreakers. I'm gonna introduce my own Heartbreakers, too. That's Madelyn Quebec and Louise Bethune. Carolyn Dennis and Queen Esther Marrow.
* before In The Garden
[Thank you. Last time I was here, I think I was here about '81, '83. Uptown Theater or wherever it was, I don't care, yeah,]* Uptown Theatre right. Anyway, we played this song last time and nobody had heard it that time, it was the first time. One of the very few times I played it. Since that time it's been recorded so a lot of people have heard it though. I'm gonna play it again here. Besides there were some people there that night that are also in this crowd tonight and they asked me to please play it again.
*missing on this tape; reconstructed presumably from the SOUNDBOARD recording (LB-276, tracks 22-33 only).
* before Shake A Hand
OK. One of our ... one of America's foremost poets is out in the house tonight, I wanna introduce him, Allen Ginsberg, wherever you are. Two hundred years from now people are gonna be reading Allen Ginsberg. "Howl". Two hundred, maybe three hundred... maybe twenty.
* before Knockin' On Heaven's Door
OK, then. I just wanna say it does not, if, rock music, rock n' roll music reviewers here from The Kansas City Star, or The Kansas City Times, whatever. I just wanna ask them would they check with some people on the way out, what they thought, what they saw. Because... I think that's only right now, I think that's only right because these people from the newspapers now, they get in free, you know. So they... it's... there's nothing wrong with getting in free anywhere but a lot of people don't get in free. So we're gonna talk about those people tonight. The people who gotta pay a price to get in. I know I'm one. I got to pay a heavy price.
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The band is:
Bob Dylan (vocal, guitars, harmonica)
Tom Petty & The Heartbreakers:
Tom Petty - vocal, guitar
Mike Campbell - guitar
Benmont Tench - keyboards
Howie Epstein - bass
Stan Lynch - drums
The Queens Of Rhythm:
Carolyn Dennis - backing vocals
Queen Esther Marrow - backing vocals
Madelyn Quebec - backing vocals
Louise Bethune - backing vocals
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Arturo el Duderino, 15 May 2006
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