This is a tagged version shnid: 102124
Grateful Dead
Greek Theatre, U. of California
Berkeley, CA
May 23, 1982
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
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SBD (shnid=96332):
Recording Info:
SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 10, 2008
[1 minute cut in Estimated, and some of Drums>Space]
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AUD (shnid=101955):
2 Nakamichi CM 300 mics > SONY TC D-5m(Dolby B)
(TDK AD-X 90 set 1)(Maxell UDXLII-S, MX 90 set 2)
Plybck:
Nakamichi Dragon (Dolby B decoded) > Apple G4
(RME DIGI PAD 96 A/D conversion 44.1k)(PEAK editing) > Xact
Short flip or tape change cuts at the beginnings of
Little Red Rooster @ 04.866 sec.
Eyes of the World @ 09.722 sec.
Stella Blue @ 11.902 sec.
Casey Jones @ 05.253 sec.
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Thank you to Charlie Miller for the SBD transfer,and to musigny23
for recording the show.
Matrix by Hunter Seamons
using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
October 20, 2009
_______________________________________________________________________
--Set 1--
101-d1t01 - Tuning
102-d1t02 - Shakedown Street ->
103-d1t03 - The Promised Land
104-d1t04 - They Love Each Other
105-d1t05 - Mama Tried ->
106-d1t06 - Mexicali Blues
107-d1t07 - Loser ->
108-d1t08 - Little Red Rooster
109-d1t09 - Ramble on Rose
110-d1t10 - Let It Grow
--Set 2--
201-d2t01 - Scarlet Begonias ->
202-d2t02 - Fire on the Mountain
203-d2t03 - Samson & Delilah
204-d2t04 - Ship of Fools
205-d2t05 - Estimated Prophet ->
206-d2t06 - Eyes of the World ->
207-d2t07 - Drums* ->
208-d3t01 - Space* ->
209-d3t02 - The Other One ->
210-d3t03 - Stella Blue ->
211-d3t04 - I Need a Miracle ->
212-d3t05 - Casey Jones
--Encore--
213-d3t06 - (I Can't Get No) Satisfaction ->
214-d3t07 - Brokedown Palace
*with Harley Davidson Motorcycle
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Notes:
1) From Drums>Space through the end of the show, over fifty (50)
minuscule dropouts occur in the soundboard, more frequently in
Other One and Miracle. Because of the very minuscule time frame
of some of these, I was able to smooth over them without fading
out the SBD (by adjusting speeds or making very small cuts/additions).
Most of them, however, required me to fade out the SBD for less than
a second, usually. Most of these moments are pretty smooth sounding
and not real noticeable, but some can be slightly distracting because
of the quick, AUD-only transition.
2) The original AUD tape cuts were preserved when only the AUD plays
(between songs), instead of being smoothed out, or cross-faded.
Sometimes I prefer this.
3) A quick shift in the SBD mix occurs at 0:44 and 0:53 of Other One,
where it cuts to a more "distant" sound for a moment, then comes back.
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