Reference: MCP-015
Date: 1996
Artwork: Included (click on the poster to enlarge)
Video: NTSC 4:3, 720x480, 29.97 fps, 7000 Kbps
Audio: AC-3, 2 channels, 48 KHz, 256 Kbps
Hodge podge of Ringo clips in various qualities.
01. Sentimental Journey promo
02. It Don't Come Easy promo
03. Back Off Boogaloo promo
04. Late Night Line Up 1969
05. Various Newsfeeds
06. In A Memphis Court Room
07. Airport Arrival in L.A.
08. Live with Jerry Lee Lewis
09. Atlanta 1992 Soundcheck
MCP-013
John Lennon: PBS
2008 Edition
NTSC DVD
90 minutes
original edition artwork by Wogew
My VHS tapes->ADC300->DV->ULead Video Studio->TMPGEnc DVD Author Pro
Two public television shows with John & Yoko
"Free Time" from 1971 and "Flipside" from 1973
Volume 15
8th July 1978
(CHICAGO)
8th July 1978: Chicago, Illinois, Soldier Field
This concert appears in particular in 2 volumes published by VGP: "Tight Dresses And Tampax" (VGP 145) and "Satisfaction Guaranteed" (VGP 378).
As usual, the recordings are now de-clicked and the phase adjusted. To merge them I used VGP 378 as speed reference (it’s on the left channel when VGP 145 is on the right channel).
Between the tracks I compensated a 2 second gap in the VGP 145 version.
CD1 :
01 - introduction
02 - Let It Rock
03 - All Down The Line
04 - Honky Tonk Women
05 - Star Star
06 - When The Whip Comes Down
the first second comes from VGP 378
07 - Lies
from 4’59 to 5’21 - 22 seconds come from VGP 145
08 - Miss You
09 - Beast Of Burden
from 5’03 to 6’01 - 58 seconds come from VGP 378
10- Just My Imagination
11 Shattered
from 4’56 to 5’01 - 5 seconds come from VGP 145
CD2:
01 - Respectable
02 - Far Away Eye
03 - Love In Vain
04 - Tumbling Dice
05 - Happy
from 3’31 to 3’41 - 10 seconds come from VGP 378
06 - Sweet Little Sixteen
07 - Brown Sugar
08 - Jumpin' Jack Flash
a one second gap is compensated in the VGP 378 version and a two second gap in the VGP 145
09 - encore
from 1’42 to 1’44 a two second gap is compensated in the VGP 145
10 - Satisfaction
BONUS :
Part I - snippets from TV reports:
Some excerpts from the concert were broadcast by American television stations. To improve their sound, I merged them with the VGP 145 version:
11 – intro by TV news anchor (comes from Channel 5)
12 – Lies (comes from Channel 5)
13 – Jumpin’ Jack Flash (comes from Channel 5)
14 – Honky Tonk Women (comes from Channel 2)
15 – All Down The Line (comes from Channel 2)
Note:
The videos containing "Let It Rock," "Miss You,"
“Jumpin’ Jack Flash” and "Satisfaction" have a poor
audio quality. They will also be presented by BlueTurns2Grey, but
with the merges
mentioned above as soundtrack, which therefore
don’t need to be repeated here.
Part II - another version :
A different version of "Sweet Little Sixteen" is featured on the vinyl "Long Summer 1978" (AR 092), here it is presented merged with the VGP 145 version.
16 – Sweet Little Sixteen (Long Summer 1978/VGP 145)
Volume 14
6th July 1978
(DETROIT)
6th July 1978: Detroit, Michigan, Masonic Temple Auditorium
Note: A soundboard
recording was made by Bob Clearmountain (13 tracks appeared in the
KBFH
broadcast).
Several
years ago I released a version of this show as ‘Keith Doesn’t Got
The Pick’ (FP 017).
On it I used ‘Abandoned In Detroit’ (DAC
068) completed for the last 3 tracks with audience recordings coming
from ‘Live In Detroit’ (RDP RS031) and ‘It Will Wig You Out’
(Rotting Rott).
To present something different, I decided to offer merged versions, using also the JEMS archive that appeared in the meantime (the version presented by Krw_co was running 2% too slowly).
CD1 :
01 - Let It Rock
in the banter, a five second gap in the DAC version is now compensated
02 - All Down The Line
in the banter, a 0,5 second gap in the DAC version is now compensated
03 - Honky Tonk Women
04 - Star Star
05 - When The Whip Comes Down
06 - Lies
in the banter, a five second gap in the DAC version is now compensated
07 - Miss You
in the banter, a 0,4 second gap in the DAC version is now compensated
08 - Beast Of Burden
the last 9 seconds come from the DAC version
09 - Just My Imagination
10 - Shattered
the last 15 seconds come from the DAC version
CD2:
01 - Respectable
the first 37 seconds come from the DAC version
the last 59 seconds come from the JEMS version
02 - Far Away Eyes
in the banter, a one second gap in the DAC version is now compensated
03 - Love In Vain
04 - Tumbling Dice
in the banter, a 0,5 second gap in the DAC version is now compensated
05 - Happy
the last 15 seconds come from the JEMS version
06 - Sweet Little Sixteen
the last 11 seconds come from the JEMS version
07 - Brown Sugar
both versions were incomplete, the complete song is now rebuilt: the segment from 0’16 to 0’55 come from the JEMS version and the last 42 seconds come from the RDP version
08 - Jumpin' Jack Flash
the last 20 seconds come from the RDP version
09 - outro
comes from the RDP version
Volume 13
4th July 1978
(BUFFALO)
4th
July 1978: Buffalo, New York, Rich Stadium
For this show I found 3 sources.
Source #1:
- “Long Summer ‘78“ (AR 92): coming from a vinyl rip I did years ago. Only 5 tracks come from the Buffalo show. I used it as speed reference.
- “Satisfaction Guaranteed”come from a vinyl rip uploaded by Wiredallnight at IORR. It contains 2 more tracks from the Buffalo show. It must be decelerated by -1,6%.
Source #2:
- “Satisfaction Guaranteed” (VGP 378) with an average sound, must be decelerated by -0,24%.
- “nzb’s version” come from the same source but must be decelerated by -4%.
Source #3:
- “Buffalo July 04, 1978” (no label) has a poor sound and must be accelerated by +3% ( missing the 2 last tracks).
A version has already been released by Captain Acid (APCD #038).
This very good version come from a Falo mix using a YT source and was upgraded by Captain Acid: https://iorr.org/talk/read.php?2,2628549,2628549#msg-2628549
It can be downloaded from the StonesVault or with this link:
https://www.filefactory.com/file/6u0zmslu227x
As a complement I propose here to present the source #1 which was not used in the APCD #38.
The 7 tracks are presented separately and in a merged version (using source #2 in the right channel).
As usual, all the recordings are de-clicked, the balance, the azimuth and the phase are improved.
Part I: source #1
01 - Let It Rock
02 - All Down The Line
03 - Star Star
04 - When The Whip Comes Down
05 - Tumbling Dice
06 - Brown Sugar
07 - Jumpin' Jack Flash
Part II : merged version
08 - introduction
from source #3 (missing from all other versions!)
09 - Let It Rock (merged)
10 - All Down The Line (merged)
11 - Star Star (merged)
12 - When The Whip Comes Down (merged)
13 - Tumbling Dice (merged)
14 - Brown Sugar (merged)
the first second comes from source #1
15 - Jumpin' Jack Flash (merged)
the last 4 seconds come from source #1
Aerosmith
Harbour House,
Lynn, Massachusetts
January 21, 1979
Unknown gen.cassette.aud>SonyTCWE435>PioneerPDR-
4>CDR>EAC>WAV>Trader'sLittleHelper>FLAC
Quality: C
Pyscho
Make It
Big Ten Inch Record
I Wanna Know Why
Walkin' The Dog
Seasons Of Wither
Bone To Bone (Coney Island White Fish Boy)
Mama Kin
I Ain't Got You
Mother Popcorn
S.O.S. (Too Bad)
Somebody
Walk This Way
Get The Lead Out
Chiquita
Come Together
Lick And A Promise
Same Old Song And Dance
Toys In The Attic
Notes: This came to be back in the day December 1978, and since then a 12/5/78 date has popped uo, so I figured this show was from that date. But if you look at the setlist is doesn't resemble the dates from around that time. A Harbour House date from 1/21/79 has also been noted and I believe this is from that date. The setlist is much different from the Winter 78 dates as some oldies are tossed in and the band debuts two new songs "Bone to Bone" and "Chiquita" from Night in the Ruts.
This is a cool show, unfortunately the sound is a mess. Seems like the taper had a stereo deck, but can't seem to get into a good position to tape from. I don't know anything about the Harbour House, but it seems to be a small, cramped venue. Maybe the Mass people here can provide some details. The crowd is loud, funny at times, yelling at the band. Seems like an informal show, with the band casually talking on stage. The show is divided into two parts as they take a break after Mother Popcorn. Sound is well below average and there is some tape hiss, but it's worth the upload if you are into this band!
Black Sabbath University of Maine @ Portland Sullivan Gymnasium
Portland Maine November 7th 1970 A Joe Maloney Reel to Reel Master
Transferred and Presented by Krw_co
Lineage Audience Reel to Reel Master to CDR Krw Transfer to
EAC Secure Mode to Audio Cleaning Lab for Track Marks and Edits
to WAV to TLH Flac Level 8 No EQ or Other Tampering
THE BAND
Bill Ward Drums
Tony Iommi Guitar
Geezer Butler Bass
Ozzy Osbourne Vocals
SET LIST
1 Intro/Paranoid
2 N.I.B.
3 War Pigs
4 Behind The Wall Of Sleep
5 Iron Man
6 Hand Of Doom
7 Faries Wear Boots
Many Thanks to Joe for recording and sharing this.
PLEASE DONT POST THIS ON ANY OTHER TRACKERS.
AND PLEASE DONT ALTER OR SELL THIS RECORDING IN ANY WAY.
THANK YOU,AS ALWAYS ENJOY.CHEERS KRW_CO
Neil Young & Crazy Horse
Wed. April 17, 1991
Pacific Coliseum
Vancouver, British Columbia, Canada
Audioarchivist Analog Master Cassette Recording
Digitally transferred and ReMastered at 24 bit 96 khz
Downsampled and dithered to 16 bit 44.1 khz CD ready files
Setlist:
01 intro - Star Spangled Banner
02 Hey Hey, My My (Into The Black)
03 Crime In The City
04 Blowin' In The Wind
05 Love To Burn
06 Cinnamon Girl
07 Mansion On The Hill
08 Fuckin' Up
09 Cortez The Killer
10 Powderfinger
11 Love And Only Love
12 Rockin' In The Free World
13 encore break
14 Roll Another Number
Capture:
Sony PC-62 stereo condenser mic on hat > Sony stereo mic extension cord > Sony WM DC3 Professional Recording Walkman (Dolby B on, CrO2 / Metal bias) > Maxell XL-II 90 cassette masters
Location:
Pacific Coliseum - blue seat (upper level)
My seat was originally Sec 8 Row 30 Seat 12 (upper left side)
I moved to the back to be in the middle. Center line of the building!
Recorded from section 33 upper blue in the very back, far away.
It was a very loud show and it sounded great from this distance.
Transfer:
Maxell XL-II 90 cassette masters > Tascam 202mkII playback deck (Dolby off, normal bias PB, azimuth adjusted for each tape side) > Radio Shack gold end 3.5mm to stereo rca cord > Shack 6 foot gold end 3.5mm stereo extension cord > Soundblaster Audigy @ 24 bit 96 khz > Wavelab 5.01b (recording, tracking, and mastering)
Processing:
24 bit 96 khz master clone split files > Wavelab toolsone (level balance) > Waves Q10 Paragraphic EQ (bass ramp and mid-high tweaks)> Waves S1 Shuffler (stereo enhancement) > Wavelab peak master (limiter @ -.01db) > 24 bit 96 khz batch rendered Remaster files > SoX resampler via Foobar2000 to 44.1 khz (very high quality setting, 95.2% passband, 25% phase response no aliasing) > iZotope RX Advanced MBit+ dither to 16 bit (Ultra noise shaping, high dither) > FLAC8 + torrent via TLH > YOU!!!
Quality:
One of my better recordings I think. Ex- for an audience recording of its time, comparing to some others I've heard from this tour... You be the judge! Bright and clear and full frontal sonic assault, just as it was that night! Crank it up! Full dynamics - be warned of Neil's shrieking guitar work that can rip your face off (even at this distance!)...
Comments:
I think this one turned out amazingly good, especially considering how far back I was! I knew Neil's show was going to be a loud one on this tour, and that there wasn't going to be any "quiet" songs! I could have possibly moved to a seat in the lower level to be a bit closer, but it was a pretty full arena that night, and I probably would have had to be asked to move. The section I was in was not deserted, but had plenty of room for a wandering fan unhappy with his assigned seat. I picked a chair that was exactly parallel with the mid-line of the building, perfectly centered in the middle of the P.A. I wasn't exactly back row at the top, but probably about 2/3 up the section. The closest people were maybe 10 seats away in any direction, so there isn't very much close proximity audience noise.
I remember thinking how odd the prop Fender Giant amps looked from this distance - almost normal! Then these little ants that were the band came out on stage, and made this behemoth sound come through the P.A. system! Amazing soundman they must have, and a great audio system as well. I went to look at the soundboard area and remember seeing the bank of Tascam DA-88's recording 24 tracks of digital (3 units linked up) - I don't think any of the Vancouver show made it onto Arc / Weld, and I think this was a great show, so I wonder if maybe one of their tapes failed or something on this night? Hmmm......
So, yeah, even at this distance, I still remember this as being one of the loudest shows I've ever been to - especially in The Pacific Coliseum. I kind of felt sorry for the people who were right up close to the speakers! I've read that Neil got hearing damage from mixing the recordings they had for the live album (has nothing to do with playing the damned shows that loud, does it? nooo... haha) and in doing the "mastering" work that I've done for my little release here, I think I might have done some not-so-good things to my hearing, too (has absolutely nothing to do with seeing several hundred concerts through life, nooo....) but I can assure you that this show sounds really good cranked up loud! What?
I like this recording a lot. I read something that Jimmy Page said about recording techniques: "...distance creates depth..." and I applied this expression to recording this show. You can hear that the stage is deep and straight in front of me, and you can distinctly hear the left and right sides of the entire coliseum filling up with this rolling wall of sound that washes over the audience and rattles the rafters of the building and crashes down all at once onto my microphone. There is very little "backbeat" echo because of this effect of the reverb and P.A. sound reaching me almost at the same time. I don't think these seats would have worked so well for other (quieter) shows, but this one was well loud enough to carry up to where I was. The tones from the guitars that seem to ring out from different places in the hall are well preserved on this recording. It's amazing that it just comes from that itty-bitty Sony mic that comes standard with the Sony WM D3 walkman. I'd have to put this one in my personal top ten recordings list... somewhere!
It sure was a blast to watch Neil pretty much give birth to "grunge music" right in front of my eyes! haha. More or less. Awesome to see a band rock it out so hard with such a sense of urgency to it. It's this sense of urgency especially in some of Neil's vocals that (I think) might make this one of the better shows of the tour (that I've heard). I'm no expert, but for how many times he's played Vancouver I think he must like it there, and he probably tries harder to put on a good performance here. With that in mind, have a listen to my newly released master recording and hear this great show yourself!
Other than a few tape-to-tape EQ'd to death copies that I made for a few friends around '92 - '93 I've never really gotten this one out there before now. Brand new digitization march 2011 @ 24 / 96 hi-res, EQ'd to enhance bass, stereo field also enhanced slightly, downsampled and dithered to CD ready FLAC files for your convenience. Sorry about the poorly timed tape flip in "Keep On Rockin' In The Free World" - I was watching the tape reel wind down trying to get the end of "Love And Only Love" complete, waiting for the break to flip tapes. That break never came exactly as planned. The blank tape playback here represents approximately how much of the whole show is missing from tap flips. There's another gap between "Love To Burn" and "Cinnamon Girl" just missing a few seconds of crowd noise...
I did tape Sonic Youth as well. I know that their fans will want that posted as well. I have no idea what most of the songs are called, so it's hard to track their set. If you'd like to help with some naming schemes for their part, drop a line and we'll hook something up...
Please don't Re-Re-ReMaster this version of this show. The files have already been processed once, as well as them being "only" CD quality files. I will most likely release a full hi-res master clone version of this show in the future to please both the 24/96 fans and the Re-Re-Remasterbastardizers out there! hehe. Please share these lossless files freely - don't buy don't sell - but only share them as their original full lossless fileset. Feel free to include any new files (like art or a new text file or something) with the originals if you re-post elsewhere, but always keep the full original fileset (including this info file) fully intact! Don't change or delete any original files.
Please don't encrap this lossless fileset to eMPty3 format unless it is only for personal use. Better yet - don't pervert the files to eMPty3 at all! haha. Do not distribute to anyone as lossy files. Friends don't let friends listen lossy. Destroy used eMPty3 files when done with them. Keep your FLAC files handy for when you get a better audio system or for when you get the results of that much-needed hearing test!
Please share any cool photoshop-y artworx covers with us! Please email me copies if possible, and maybe consult with me as you work on your art, as I would love to maybe have a touch of input on the wording on the covers. Thanks!
Enjoy my original master recording that's been previously uncirculated until now. Didn't mean to keep it from anyone, but it takes time to transfer and process several boxes of various analog masters! I guess that I just finally got around to this one.
Keep on fuckin' up the free world!
Oh, wait... That's wrong. Nevermind......
audioarchivist@hotmail.com
Link
MÖTLEY CRÜE
1984-02-05
Riverfront Coliseum
Cincinnati, OH
Supporting Ozzy Osbourne
Set List:
01 Intro/Shout At The Devil
02 Take Me To The Top
03 Knock 'Em Dead, Kid
04 Too Young To Fall In Love
05 Red Hot
06 Piece Of Your Action
07 Looks That Kill
08 Live Wire
09 Helter Skelter
The Cure - 1982-04-25 - The Pavilion, Glasgow, Scotland [aud]
Quality: Very Good
Taper : MB
Equipment : Normal Tape Recorder (sony or Aiwa)
Lineage : Master Tape Normal Position ODC90 > wt2496 > CEPRO > CDWAV> FLAC
Tracks:
01. Figurehead
02. M
03. In Your House
04. Cold
05. Drowning Man
06. Short Term Effect
07. Hanging Garden
08. Siamese Twins
09. Other Voices
10. Three Imaginary Boys
11. Primary
12. One Hundred Years
13. Play for Today
14. Forest
15. Pornography
encore:
16. 10.15 saturday night
17. Killing An Arab
18. All Mine
Line-up:
Robert Smith, Simon Gallup, Laurence Tolhurst
personal note:
A very gloomy 1982 show (again). Robert isn't very talkative, just announcing
some songs. 'Drowning Man' and 'Pornography' are breathtaking.
'Killing an Arab' is a bit tame, 'All Mine' as usual a great improvisation.
The quality of this recording is very good. One of the better audience recordings
I have of 1982.
'Three Imaginary Boys' cuts in in the first few seconds of the intro.
And there's a cut in 'All Mine'.
Also there is some 'tapping' noise now and then. Can be someone clapping near the
recorder, can also be tapping the mic to test the recording level.
If this was really taped with a normal cassette recorder, as the original nfo says,
it is really amazing to get this quality.
Link
Bob Dylan
Civic Auditorium Santa Monica, CA. Nov. 21 1979
Source: audio disks > (dBpowerAMP set to compression level 6) flac
A Higher Calling to an Ordinary People
Thinman 079/80
Disc one
Gotta Serve Somebody
I Believe In You
When You Gonna Wake Up
When He Returns (1)
Man Gave Names To All The Animals
Precious Angel
Slow Train
Covenant Woman
Gonna Change My Way Of Thinking
Disc two
Do Right To Me Baby (Do Unto Others)
Solid Rock
Saving Grace
Saved (Bob Dylan/Tim Drummond) (2)
What Can I Do For You?
In The Garden
Blessed Be The Name
Pressing On (3)
Bob Dylan - vocal & guitar
Fred Tackett - lead guitar
Spooner Oldham - keyboards
Terry Young - keyboards
Tim Drummond - bass
Jim Keltner - drums
Havis, Springs, Young - backup vocals
(1) Dylan-vocal & guitar / Spooner Oldham-piano
(2) Dylan - harp
(3) Dylan - piano
Artwork and information from Bobsboots:
http://www.bobsboots.com/CDs/cd-h58.html
BOB DYLAN
Fox Theater
Chicago, Illinois
9 November 1990
*Whats Going On In Your Show *
( A Southside-Butcher-Production)
CD 1
1. Marine Hymn (trad.)
2. Tangled Up In Blue
3. Lay Lady Lay
4. What Was It You Wanted
5. I'll Be Your Baby Tonight
6. My Back Pages
7. I Believe In You
8. Gotta Serve Somebody
9. Song To Woody
10. It's Alright, Ma (I'm Only Bleeding)
11. It Ain't Me, Babe
CD 2
12. Mr. Tambourine Man
13. Rainy Day Women # 12 & 35
14. Joey (Bob Dylan & Jacques Levy)
15. T.V. Talkin' Song
16. Shooting Star
17. All Along The Watchtower
18. Knockin' On Heaven's Door
19. Like A Rolling Stone
20. Blowin' In The Wind
21. Highway 61 Revisited
Link
9950 Les Arènes
Frejus, France
13 June 1989
* Diamonds From The Deepest Ocean *
A Southside Butcher Production
CD 1
1. Hey La La (Hey La La) (McBride)
2. Most Likely You Go Your Way (And I'll Go Mine)
3. You're A Big Girl Now
4. All Along The Watchtower
5. Just Like A Woman
6. I Don't Believe You (She Acts Like We Never Have Met)
7. Lakes Of Pontchartrain (trad.)
8. Gates Of Eden
9. Knockin' On Heaven's Door
CD 2
10. In The Garden
11. Highway 61 Revisited
12. Like A Rolling Stone
13. Boots Of Spanish Leather
14. Peace In The Valley (Thomas A. Dorsey)
15. Man Gave Names To All The Animals
16. Maggie's Farm
Concert # 82 of The Never-Ending Tour. Concert # 11 of the 1989 Tour Of Europe.
Concert # 4 with the second Never-Ending Tour Band: Bob Dylan (vocal & guitar), G. E. Smith (guitar), Tony Garnier (bass),
Christopher Parker (drums).
7-8 and 13 Bob Dylan (vocal & guitar), G.E. Smith (guitar).
11-12 Ringo Starr (drums).
9 starts acoustic and ends electric.
1-3, 5-7, 9, 13, 14 Bob Dylan harmonica.
1 G. E. Smith (backup vocal).
Notes.
Only known performance of Peace In The Valley.
First performance of Man Gave Names To All The Animals during The Never-Ending Tour.
10 new songs (62%) compared to previous concert. 3 new songs for this tour.
Stereo audience recording, 85 minutes.
Bob Dylan
Estadio Velez Sarsfield Buenos Aires, Argentina
March 15, 2008
bonus:
Orfeo Superdomo C?rdoba, Argentina March 13, 2008
"Full House in Buenos Aires"
Tambourine Man / TMR 142/143
Disc one
Intro
Rainy Day Women #12 & 35 [Be]
Lay, Lady, Lay [Be]
Watching The River Flow [Be]
Masters Of War [Bp]
The Levee's Gonna Break [Bp / Dm]
Spirit On The Water [Bh]
Things Have Changed [Bp]
Workingman's Blues #2 [Bp]
Just Like A Woman [Bh]
Honest With Me [Bp]
When The Deal Goes Down [Bp]
Disc two
Highway 61 Revisited [Bp]
Nettie Moore [Bp / Dv]
Summer Days [Bp]
Like A Rolling Stone [Bp]
encore:
Stuck Inside Of Mobile [Bp]
Band Introduction
All Along The Watchtower [Bp]
Blowin' In The Wind [Bh / DV]
bonus:
Ain't Talkin' [Bp / Dv]
Thunder On The Mountain [Bp]
Band Members
Bob Dylan - electric guitar, keyboard, harp
Tony Garnier - bass, band leader
Denny Freeman - lead guitar
Stu Kimball - lead / rhythm guitar
Donnie Herron - banjo, mandolin, violin, pedal & lap steel
George Recile - drums
© 2008 CD Pinkerton -bobsboots.com
Legend
[Be] -Bob on electric guitar
[Bh] -Bob on harp and electric piano
[Bp] -Bob on electric piano
[DV] -Donnie on violin
[Dv] -Donnie on viola
[Dm] -Donnie on electric mandolin
Information and artwook from Bobsboots, http://www.bobsboots.com/CDs/cd-f43.html
THE REPLACEMENTS
Studio Sessions Anthology, 1980-1991
The last great rock and roll band….
Here’s a big one. This is a four cd set comprising all known Mats studio demos/outtakes in chronological order. I compiled this set from several different sources, trying to get the best sound quality for each track. To the best of my knowledge, everything is here. If it appeared on the “All For Nothing, Nothing For All” set, it’s not here. Since this is a pretty big set, please leave your windows open for awhile after finishing.
1.93 gig
Recording/Conversion:
Analog tape/CD (EAC) > Adaptec Jam > WAV > Shorten 1.1a for Mac > SHN
Artwork Included in folder.
01. Careless
02. Otto
03. Shiftless When Idle
04. More Cigarettes
05. I Hate Music
06. Shut Up
07. I\m In Trouble (Intro)
08. I\m In Trouble #1
09. Customer
10. Otto
11. Shut Up #1
12. Shut Up #2
13. Johnny\s Gonna Die #1
14. Johnny\s Gonna Die #2
15. Careless
16. Rattlesnake Blues #1
17. If Only You Were Lonely
18. I Hate Music #1
19. I Hate Music
20. Kick Your Door Down
21. Dont Ask Why.flac
22. Something To Du
23. More Cigarettes
24. More Cigarettes #2
25. Hangin Downtown.flac
26. Takin A Ride.flac
27. Johnny\s Gonna Die #3
28. Careless #2
29. I\m In Trouble #2
30. Customer #2
31. Raised In The City
32. Rattlesnake Blues #2
33. Studio Interlude
34. Something To Du #2
35. Taking A Ride #1
36. Takin\ A Ride #2
37. Studio Chatter
38. Love You Til Friday #1
39. Like You
40. Love You Til Friday #2
41. Love You Til Friday #3
42. Something To Du #3
43. Shoot Me Kill Me [Sex With A Goat]
44. Dont Get Married.flac
45. Lookin For Ya
46. Street Girl #1
47. Sixteen Blue
48. Whos Gonna Take Us Alive.flac
49. Temptation Eyes
50. Street Girl #2
51. Perfectly Lethal
52. Walkin A Little Closer.flac
53. If Only You Were Lonely #2
54. 20th Century Boy
55. Little Mascara
56. Kiss Me On The Bus
57. Nowhere Is My Home
58. Valentine
59. Birthday Girl #1
60. Bundle Up
61. Red Red Wine
62. Po Box [Empty As Your Heart]
63. Time Is Killing Us
64. Never Mind
65. Birthday Girl #2
66. Alex Chilton
67. Red Red Wine #2
68. Election Day
69. Kick It In
70. Valentine [Inst]
71. Run For The Country
72. Going Out Of My Head
73. Learn How To Fall #1
74. Trouble On The Way
75. Make This Your Home
76. The Ledge
77. I.O.U
78. Nightclub Jitters
79. Cant Hardly Wait.flac
80. Learn How To Fall #2
81. Valentine
82. Skyway
83. I Don\t Know #1
84. Red Red Wine
85. Shooting Dirty Pool
86. Cool Water
87. Guitar Fill 1
88. Guitar Fill 2
89. Guitar Fill 3
90. Route 66
91. Tossin And Turnin.flac
92. Jungle Rock
93. Cool Water #2
94. I Don\t Know #2
95. Can\t Hardly Wait [Remix]
96. Wake Up
97. Rock & Roll Ghost
98. Only If We Must
99. Someone Take The Wheel #1
100. When It Began
101. Nobody
102. One Wink At A Time
103. Someone Take The Wheel #2
104. My Little Problem
105. Sadly Beautiful
106. Attitude
107. Torture
108. Happy Town
There are 108 tracks in total, too many to list here. Here is a link to the artwork that has all of the tracks listed. Look under > Mats > Compilations. This artwork, plus the front is also included in the download folder.
