Britny Fox
1992-04-11
Hammerjacks
Baltimore, MD
Audience Recording
Sound - A-/B
Lineage: Trade > CDR > EAC "Secure Mode" > Wave > Traders Little Helper > Flac > you
01. Six Guns Loaded
02. Long Way To Love
03. Goodbuy T' Jane
04. Liar
05. Hair Of The Dog
06. Over & Out
07. Closer To Your Love
08. Black & White
09. Drum Solo
10. In Motion
11. Louder
12. guitar solo
13. Shot from My Gun
14. Girl School
15. Dream On
16. Midnight Moses
AC/DC
Mayfair, Newcastle, England
January 25th, 1980
Lenth: 87mins
Track List:
01) Live Wire
02) Shot Down in Flames
03) Hell Ain't a Bad Place to Be
04) Sin City
05) Problem Child
06) Bad Boy Boogie
07) The Jack
08) Highway to Hell
09) Girls Got Rhythm
10) High Voltage
11) Whole Lotta Rosie
12) Rocker
13) TNT
14) Let There Be Rock
Notes:
Bon mentions Newcastle before "Hell Ain't a Bad Place to Be" and before "Sin City".
U2
Hammersmith Palais
London, England
March 22, 1983
(ph Audience Master)
16/44 Version
2017 Transfer: Aud Master Tape > Nakamichi DR-01 (azimuth adjusted) > Sound Devices USBPre 2 capture (24/96) > iZotope RX and Ozone (mastered) > MBIT+ convert to 16/44.1 > Peak Pro (post production) > xACT 2.35 > FLAC
01 Gloria
02 I Threw A Brick Through A Window
03 A Day Without Me
04 Seconds
05 Surrender
06 New Year's Day
07 Sunday Bloody Sunday w/Steve Wickham
08 The Cry > Electric Co.
09 I Fall Down
10 October
11 Tomorrow w/Steve Wickham
12 Two Hearts Beat As One
13 Twilight
14 Out Of Control
15 Party Girl
16 11 O'Clock Tick Tock
17 I Will Follow
18 40
Known Faults:
None
I am pleased to bring you a big material upgrade for U2's second of back to back nights at the Hammersmith Palais on the 1st leg of the 'War' Tour directly from the master tape.
This show has circulated for a long time from an unknown generation tape and though very good overall quality, the most common version has some issues.
The first of which is it runs very fast, the start of the show is cut and the stereo spectrum is on the narrow side coming from a higher generation copy.
This version corrects all those issues. The master also ran fast and has been pitch adjusted to run at the proper speed, the start is not cut and the stereo spectrum is wide open and natural sounding.
There are no close audience noises, claps or chatter. It's a big material upgrade and one of the best sounding 'War' tour audience recordings now in circulation. Samples provided with the fist sample coming from the circulating version comparison.
Steve Wickham guests on "Tomorrow" and "Sunday Bloody Sunday".
This is not my master tape and came from a friend that wishes to remain anonymous but is happy to share it with all. It only took 34 years and I hope you enjoy this as much as I enjoyed working on it.
This is the 16/44 version, it will be followed shortly by the hi-res 24/96 version.
mjk5510
Link
The Replacements
09 april 1991
De Vooruit
Gent , Belgium
A zimmy21 recording!
Source : AKG Stereo Microphones > Sony WM-D6C recorder > Pioneer CD recorder > PC > EAC > Wav > Traders Little Helper > Flac
Sound : Very good
Disc 01 :
01. I will dare
02. Achin' to be
03. Bastards of the young
04. Another girl, another planet
05. The ledge
06. Merry go round
07. Satelite
08. Happy town
09. Swingin' party
10. One wink at the time
11. Waitress in the sky
12. Skyway
13. When it began
14. Nightclub jitters
15. Someone take the wheel
Disc 02 :
01. Favorite thing
02. Talent show
03. Androgynous
04. Asking me lies
05. Raw ramp
06. Route 66 (Stones, Chuck Berry, ...)
07. Within your reach
08. Can't hardly wait
09. I'll be you
10. - crowd -
11. Hey Good Lookin' (Hank Williams)
12. Nobody
13. Left of the dial
14. Alex Chilton
15. Color me impressed
Link
The Alarm
Gas Monkey Bar & Grill,
Dallas, TX
August 19, 2018
Source info:
AT831 cards(3-wire)>AT8538x>Naiant Tinybox(P48)>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, tracking)>Ozone 7(mastering, resample/dither)>TLH>Flac(8)
Taper: David Sell (Falconidave)
Location: Floor, DFC 40' from stage
Sound Quality: Excellent
Setlist:
01. Intro
02. Blaze of Glory
03. Tomorrow
04. Absolute Reality
05. Coming Backwards
06. The Stand
07. Peace Now
08. Rescue Me
09. Thirteen Dead Reindeer
10. Rain in the Summertime
11. Two Rivers
12. Walk Forever By My Side
13. Sprit of '76
14. Everything is Beautiful
15. Marching on
16. Where Were You When the Storm Broke
17. Sixty Eight Guns
~encore~
18. Love Hope and Strength
19. Neutral
20. Strength
21. We Are the Light
101:39
I saw Mike Peters a few years back in California doing a solo gig with mostly Alarm material and thoroughly enjoyed it. It might be still on the tracker here. I decided to check out the full-band experience when I saw it booked nearby. I was very happy I did. This was a great, energetic show and Mike sounds great. I think his voice got better as he warmed up. A hot August night in Dallas didn't slow Mike down, he was running back and forth to 3 different microphones all night. The mix was good, great crowd around me, and the recording is up fron and in your face!!
Band:
Mike Peters - Vocals, guitars, harmonica
James Stevenson - Guitars, bass, backing vocals
Steve "Smiley" Barnard - Drums, backing vocals
Jules Peters - Keyboards, backing vocals
Bob Dylan
July 23, 1999
Tweeter Center
Mansfield, MA USA
Recorded by Unwanted Man Music
AT853H -> D7 -> Tascam CD-RW750 -> CD Wave -> FLAC
I raised the levels of the quiet songs, although they are still lower than the loud songs.
This show is not listed in the Lossless Bob archives, but I’m pretty sure that a recording has circulated. I gave out some cassette tape copies myself in 1999, and there may be other versions out there, too.
*** Artwork is included ***
1. Somebody Touched Me
2. Mr. Tambourine Man
3. Desolation Row
4. Don’t Think Twice
5. Tangled Up In Blue
6. All Along The Watchtower
7. Lay, Lady, Lay
8. Memphis Blues Again
9. Not Dark Yet
10. Introductions
11. Highway 61 Revisited
1. Like A Rolling Stone
2. Blowin’ In The Wind
3. Not Fade Away
4. The Sound Of Silence *
5. I Walk The Line/Blue Moon Of Kentucky *
6. Knockin’ On Heaven’s Door *
* with Paul Simon’s band
LDB Special Series #460 (RLR Collection)
Out of my 17,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the
musicians, the venue or unexpected events. These are the ones I'd like to propose you. Most of these come from my
cassettes collection, so they will be released at a slower pace than my Master Series! But you won't be disappointed!
I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my
reward for all the work involved in this project.
DO NOT share this music on mp3, just convert it for your own use. Sharing mp3's is the right way to make me stop sharing
music here.
BRUCE SPRINGSTEEN & THE E STREET BAND
Boston, Oliver´s
August 20, 1973
(1st gig out of 7)
01.NEW YORK CITY SERENADE
02.SPIRIT IN THE NIGHT
03.DOES THIS BUS STOP AT 82ND STREET?
04.BLUES
05.KITTY'S BACK
06.THUNDERCRACK
07.SOMETHING YOU GOT
08.GROWIN´ UP
09.LET THE FOUR WINDS BLOW (F.Domino)
10.ZERO AND BLIND TERRY
11.BLINDED BY THE LIGHT
12.FOR YOU
13.ROSALITA (COME OUT TONIGHT)
14.BAND INTRO / ROSALITA (COME OUT TONIGHT) reprise
TT 110:49
Lineage: Unknown recording device > n generation tapes > Teac Tape Deck AD-RW900 > Creative Sound Blaster Recon 3D >
HD > SoundForge 10.0 Pro > CD Wave > FLAC Frontend (level 6)
Bruce Springsteen - vocals, guitar, harmonica
Clarence Clemons - tenor, baritone, and soprano saxophones
Danny Federici - piano
Garry Tallent - bass
Vini Lopez - drums
David Sancious - organ
This is the oldest set of Springsteen tapes in RLR collection which comes from the very first tour, while the band was
playing tracks from the yet-to-be-released "The Wild, The Innocent & the E Street Shuffle" album. I hope the date is
accurate as I haven´t seen any evidence of such recording anywhere, so I had to reconstruct the setlist myself.
The sound is quite poor but hopefully this is interesting as being an early document of Springsteen touring. If you are
not an avid fan, I would suggest you download one track first, listen and then judge yourself.
But I like these early performances as they were a mix of rock, blues, jazz, country, far away from the BITU stadium shows.
The taper has cut applauses by pausing the recording and possibly some spoken introductions, but nearly all the music is
there.
Oliver´s still existing, although with a different name a slightly different location. Jimi Hendrix also played there during
the late 60´s. It must have been a blast for the audience to see live an artist like Springsteen, playing in a sort of restaurant
pub!
Enjoy, this will be my last contribution for the year
ldb
Bruce Springsteen
My Fathers Place
L.I. New York
7-31-73 Late show
Off WLIR Master Tape
I'm sure you are saying, how could this guy get a copy off the WLIR tape? Well......I made friends with a DJ at WCOZ in
Boston (now defunct). He had done a brief stint at WLIR. When he left WLIR, he took the reel of tape with him. By the way...
this was very common as I found out later. He introduced me to a few of his friends and I was able to trade various things
for copies of shows. Most of the time I was able to take the tapes home. Every now and then I had to make a copy at the
station. Soon he left Boston for somewhere else and we parted good friends....So....for a very brief period in my life...
I got lucky......Like they say...nothing lasts forever! I hope you enjoy it.
Note: This show was broadcast live on WLIR-FM's as part of its regular weekly Thursday evening show from My Father's Place.
If you listen to the beginning, The DJ's make a few comments as to the fact that they have left the warmth & security of the
Ultrasonic Recording Studios. This show does have a few problems. There is a hum running for a while and they have problems
with the overall balance. At one point they stop to do a quick mike check. This is all that was on the tape. It does appear
that Bruce comes on to do encores, but the tape just ends abruptly. Oh Well.....hope you enjoy it......Hezekiahx2
I put an MP3 below so you came check out the quality.
WLIR 1/2 Track Tape --> Maxell tape @7 1/2 ips (Technics 1506) --> Tascam Prof CD Recorder --> CDWav --> Flac
01 4th of July, Asbury Park (Sandy)
02 New York City serenade
03 Spirit in the night
04 Does this bus stop at 82nd street?
05 It's hard to be a saint in the city
06 You mean so much to me
07 Thundercrack
As with all Digital releases, this is for free trade or blank media trade only. Not to be bought or sold. Keep the spirit of
trading alive and well.
I never used noise reduction and all my tapes are at 7 1/2 ips. The only thing I did was to take out a reel flip. Nothing
has been edited out or EQ'd.
*** Uploaders Note: Files have been renamed to include track titles, md5 has been added accordingly, spectral and frequency
analysis used the old wav files, this explains the different wav filenname. Infofile was slightly edited and renamed.
Since this was a straight conversion it does not include a logfile***
BRUCE SPRINGSTEEN MY FATHER'S PLACE ROSLYN, NY (USA) JULY 31, 1973
WLIR FM BROADCAST MASTER FROM THE JOE MALONEY COLLECTION
TRANSFERRED AND PRESENTED BY KRW&CO
LINEAGE FM ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240
WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8)
THE BAND
Bruce Springsteen lead vocals guitar harmonica
Clarence Clemons saxophone backing vocals percussion
Danny Federici organ accordion backing vocals
Vini Lopez drums
David Sancious keyboards
Garry Tallent bass backing vocals
SET LIST
1 WLIR Intro
2 4th Of July, Asbury Park (Sandy)
3 New York City Serenade
4 Spirit In The Night
5 Does This Bus Stop At 82nd Street?
6 It's Hard To Be A Saint In The City
7 You Mean So Much To Me
(tape flip edit at 39:47)
8 Thundercrack
9 WLIR Outro
MANY THANKS TO JOE FOR SHARING HIS ARCHIVE.
PLEASE DONT POST THIS ON ANY OTHER TRACKERS OR SELL THIS RECORDING.
PLEASE DO NOT ALTER THIS RECORDING IN ANY WAY.
THANK YOU. AS ALWAYS, ENJOY. CHEERS KRW_CO
1969-06-04 - BBC Studios - Johnnie Walker Show:
1.01 Sweetness (5.15)
1.02 Looking Around (3.52)
1.03 Every Little Thing (5.31)
1969-08-04 - BBC Studios - Symonds On Sunday:
1.04 Sweetness (3.58)
1.05 Something's Coming (7.31)
1.06 Looking Around (3.28)
1.07 Everydays (3.53)
1.08 Every Little Thing (5.39)
1970 - BBC TV - Sounds Of The 70's
1.09 Everydays (4.57)
1.10 Astral Traveller (5.33)
1.11 Then (5.30)
1970-01-19 - BBC Studios - Dave Lee Travis Show:
2.01 Sweet Dreams (3.25)
2.02 Then (4.17)
1970-03-12 - BBC Studios - John Peel's Sunday Show:
2.03 Astral Traveller (6.01)
2.04 Then (5.15)
2.05 Every Little Thing (6.49)
2.06 Everydays (6.06)
2.07 For Everyone (4.34)
Bonus:
1970-01-10 - Théatre De Olympia - Paris:
2.08 Beyond & Before (5.24)
1.02 & 1.03 on official release: Something's Coming 1998
1.08 on official release: YesYears 1991
Def Leppard
Capital Centre
Landover, MD
July 13, 1980
On Through The Night Tour
Support for Ted Nugent and Scorpions
Audience Recording - FLAC
Lineage Unknown
Here's another decent Def Leppard recording from their first tour in the States in support of Ted Nugent and Scorpions!
Setlist:
It Could Be You
Hello America
It Don't Matter
Answer To The Master
Medicine Man
Rock Brigade
Rocks Off
Wasted
Enjoy!
Nashwolverine
David Lee Roth
Capital Centre
Landover, Maryland
Source: Audio Technica 9400 stereo mic> Sony Walkabout WA-66 cassette deck> Cassette Master
Transfer: Cassette Master> Nakamichi DR-1 (azimuth adjusted)> Apogee Mini-Me at 16/44 coax> Tascam Dr100mkiii
Assembly: WAV> AAcc for fades, CDWav for tracks, TLH for flac8, np3pro for tags
Setlist
1. Shy Boy
2. Tobacco Road
3. Unchained
4. Panama
5. Drum Solo
6. Pretty Woman
7. Elephant Gun
8. Ladies Night In Buffalo
9. Everybody Wants Some
10. On Fire
11. Bump & Grind
12. The Story Of Raymond
13. Ice Cream Man
14. Big Trouble
15. Yankee Rose
16. Vai/Sheehan Solos
17. Ain't Talkin' About Love
18. Goin' Crazy
19. Jump
20. California Girls
Personel:
David Lee Roth - Vocals
Steve Vai - Guitar, Background Vocals
Billy Sheehan - Bass, Background Vocals
Greg Bissonette - Drums
Brett Tuggle - Keyboards, Background Vocals
Notes:
- Recorded, Transferred, Tagged and Assembled by Mike Schuncke
- Recorded from section 103, appx 14 rows off floor on the side
- Recording was paused between songs and smoothed out in AAcc
- DC offset corrected, no other editing, eq or normalizing performed
JIMMY BUFFETT & THE CORAL REEFER BAND
New Orleans Jazz & Heritage Festival
Fair Grounds Race Course
New Orleans, LA
April 26, 2015
This is a raw HD .ts file suitable for authoring to blu-ray or DVD, or for simply watching on your PC or Mac.
Source: Pro Shot HDTV broadcast on AXS-TV
Lineage: AXSTV HD broadcast > TiVo XL Premiere > TiVo Desktop v2.8.3 > VideoReDo TVSuite v5.1.1.719 > MPEG2 Transport Stream (*.ts)
TRACK LIST *
01. Changes in Attitudes, Changes in Latitudes
02. Fins
03. Margaritaville
04. Cheeseburger in Paradise
05. Why Don't We Get Drunk (and Screw)
06. Brown Eyed Girl
* This is NOT Jimmy Buffett's complete set, but it is the complete AXS broadcast.
TECH STUFF
Duration : 00:24:33.12
Mux type : TS Stream
TS mux rate : 19.199 Mbps
Video:
Encoding : MPEG2
Frame rate : 29.97 fps
Encoding size : 1920 x 1080
Aspect ratio : 16:9
Header bit rate : 18.000 Mbps
VBV buffer : 976 KBytes
Profile : Main@High
Chroma : 4:2:0
Bit rate : 16.781 Mbps
Actual Video Bitrate: 16.22 Mbps
Field order : Top field first
Audio Stream: 1 (Primary)
Codec : AC3
Channels : 5.1
Language : eng
Bit rate : 384 Kbps
Sampling rate : 48000
Sample size : 16 bits
Link
The Savage Jaw Archives.
The official SITA project in cooperation with Ziggy In Concert and Mind-Warp PaVilion.
Towards the end of the 1990's affordable home computers, CD copiers and internet connections forever changed the way that many music collectors traded their recordings. It became so much easier to contact other collectors from around the world without having to wait weeks for replies to letters, trades to be agreed and tapes to be copied, dispatched and delivered. Contacts could be made quickly and copies could be sent out quickly too. Unfortunately, the mail was still quite slow but it was all a big improvement in the opinion of many of us.
A group of traders would hang out at Ziggy In Concert forum and from there would get to know each other, arrange trades and generally have some fun whilst waiting for the mail to arrive.
(http://zic.proboards.com/ or http://www.angelfire.com/la2/zic/ for a little stroll down memory lane)
Move the clock forward to 2004 by which time many of us had "super quick" 512kbps home "broadband" and had become familiar with BitTorrent which enabled us to get recordings sometimes in hours rather than weeks. The focus for music collectors had moved once again. We were crying out for a Torrent site which specialised in the artist whose music had brought us all together, namely David Bowie.
Goodness only knows how much work went on behind the scenes but on April 1st 2004, Savage Jaw opened it's doors, inviting everyone in to join the swarm and enjoy David Bowie "At The Atlantis". Not everybody saw this development as a good thing but the vast majority welcomed the site and the recordings with open arms. Throughout it's relatively short lifespan, Savage Jaw operated strictly to the motto "Where Quality Counts". Everything available through the site was the very best available to us. Sadly, Savage Jaw as a Bowie Torrent site closed it's doors around August 2005 but left a legacy of which those involved can be justifiably proud.
Rather than forget about this legacy a fitting tribute was put together in the form of The Savage Jaw Archives.
Vol. VII
1971 Myths, Masks & Make-Up
1973 1973-04-11 Kosei Nenkin-Kaikan, Tokyo, Japan
2004 2004-02-27 Rod Laver Arena, Melbourne, Australia
2004 2004-05-14 John Labbat Centre, London ON
2004 2004-05-29 Borgata Hotel & Casino, Atlantic City NJ
2004 2004-05-30 Borgata Hotel & Casino, Atlantic City NJ
2004 2004-06-04 Jones Beach Theatre, Wantagh NY
I got this from "Greasy Lake" some Years ago as a cd.
Cleaning up my BootCases , i found this.
unfortunatly i have no info about the Taper or anything else.
But I like to share.
I ripped the cd with EAC
NEW YORK CITY SERENADE
4TH OF JULY, ASBURY PARK (SANDY)
SPIRIT IN THE NIGHT
DOES THIS BUS STOP AT 82ND STREET?
SOMETHING YOU GOT
ZERO AND BLIND TERRY
THUNDERCRACK
Brucebase says:
1973-07-23 - MAX'S KANSAS CITY, NEW YORK CITY, NY
Early (first) show: NEW YORK CITY SERENADE (8:11) / 4TH OF JULY, ASBURY PARK (SANDY) (6:46) / SPIRIT IN THE NIGHT (4:57) / DOES THIS BUS STOP AT 82ND STREET? (4:09) / SOMETHING YOU GOT (6:41) / ZERO AND BLIND TERRY (6:08) / THUNDERCRACK (edited, 11:27)
Two shows, double bill, with Springsteen and band headlining and The Wailers (line-up including Bob Marley and Peter Tosh) opening. Final night. The above-mentioned setlist details for the early show are culled from an 50-minute audience recording of very good sound quality that has been in circulation (with widely varying levels of completeness) for over 25 years. This recording has historically been attributed to July 18, 1973, but it's actually from this night.
The taper takes up the story: "I decided to borrow my mom's portable Sony stereo cassette recorder to tape the show. I also (unfortunately) brought only one cassette - A TDK C-90SD (which I still have to this day). I made sure that the batteries were fresh and I was ready to document the event. The mic was a stereo mic so my goal was to sit in the middle of the room. I didn't think that this would be a problem since, as I said, there was literally no one in the club the night before. I figured that I would pay for my own ticket for the Monday night show and didn't even bother to call my friend at Columbia and get my name on the list again.
"The club was upstairs from the main Max's room and when we get to the club and climbed the stairs I was shocked to see that the club was full of people. I thought to myself "where the hell did all of these people come from" started worrying that it may be sold out and we may not get in. The guy at the door told us that he could seat the three of us but that we were going to have to sit in the front row!
"He led us to the front and sat is in the center seats (my seat was about three feet in front of the center stage mic). My mind was racing like crazy. Because of the placement of the PA speakers (they were hung right above the stage angled slightly down) the "vocal" sound was not going to be the best sitting that close to the stage (the "prime" spot for a good vocal sound would have been 5 rows back). I also was freaking because I didn't know what I was going to do with the mic. It wouldn't be very discreet of me if I held the mic up in front of me since (as I said) the mic stand was right in front of me and Bruce would plainly see that I was taping him! I should have brought a second cassette to tape Marley but, alas, I didn't. I didn't want to risk running out of tape by recording the Marley/Wailers set on my lone cassette so I (regretfully) didn't and saved the tape for Springsteen.
"Sitting that close to Marley was an experience like none other I have experienced before or since. I received a one-on-one lesson in reggae from the master himself! I'm sure it was helped by the constant thick smoke coming off the stage directly into my face! I will also never forget that at one point in Bob's set he shook his hair and his perspiration flew all over me. Some might say that was my reggae baptism. I was pretty blitzed by the end of his set and totally ready for Bruce.
"I tried to "hide" the mic by holding it near my crotch rather than shoving it right in front of Bruce's face. Another regret that I have is that I didn't let the recording go on uninterrupted. I would have normally not stopped the tape after each song. Since the recorder and mic had been originally designed for office dictation, the mic had an on/off switch which stopped the recorder but left it in the record mode. This created a "wowing" effect at the turn off and turn on points of the recording (note: this is why the circulating recordings are cut at the start and finish so severely). I didn't know how long BS would play and I, as I said, I was in an altered state, so I worried that that one C90 tape was not going to be enough to get the entire show. Given the eventual length of the set it was an unwarranted fear but at that moment I was not thinking clearly.
"The show was, again, amazing. Bruce worked the full room to the fullest and was funny, animated, charismatic and even better that the night before. The set (as captured on my tape) was New York City Serenade / Sandy / Spirit In The Night / Does This Bus Stop At 82nd St / Something You Got / Zero And Blind Terry / Thundercrack. My friends were knocked out and became life-long fans. I was convinced that I had seen the greatest performer that had ever existed and, like any true convert, began spreading the word to anyone who would listen to me.
Thanks to George for writing, and also taping this piece of Springsteen history.
All seven of the known Springsteen songs from this early show can be found as tracks 6-12 on the CD 'The Unsurpassed Springsteen, Vol 2' (Yellow Dog). However these seven songs had an unfortunate, notoriously confusing tape-boot appearance history prior to their appearance of this CD. The seven songs have tended to be cannibalised, re-sequenced and/or misidentified as emanating for a variety of different shows. For example, all the songs except Thundercrack and Does This Bus Stop At 82nd Street? are found on the 'All Those Years' boxed set, but they re re-sequenced. The two songs not found on 'All Those Years' ( Thundercrack and Does This Bus Stop At 82nd Street? ) have tended to turn up identified as emanating from all kinds of sources and often listed as a soundboard (which they are not). For example, the alleged previously uncirculating soundboard performance of Thundercrack found on a radio station cassette tape and subsequently auctioned by Backstreets Magazine several years ago has turned out to be nothing more than this same audience source recording. Since it is Thundercrack that most often circulates misidentified, it should be noted that the original taper appears to have made a decision to edit Thundercrack (the mid-song band introductions of Lopez and Clemons are heard but Bruce s introductions of Sancious, Federici and Tallent have been cut completely unintentionally making it easy to identify this recording). Unedited audio of this performance of Thundercrack has never turned up.
Hope you like it
Spezze
Cinderella Monroe LA 1987
Radiobroadcast to tape (unknown generation) to CD-R.
Great show by a even greater band. Please seed more Cinderella if you have something!!!!!!!!
If somebody knows more about this recording (date, venue ...). Please put it in the comments.
I would like to know what this is.
Tracks:
01 Once around the ride
02 Nothing for nothing
03 In from the outside
04 Push push
05 Tokyo blues
06 Rock me
07 Tokyo blues (reprise)
08 Shake me
09 Jumping Jack Flash
Seed nr 23, a Mickey Mouse Home Production!
NEIL YOUNG & THE TRANS BAND
Wiesbaden, Germany
Rheinwiesen
The 5th Golden Summernight Concert
1982-09-04
Open Air - festival
Other artists that day:
Sheetah
Michael Schenker Group
King Crimson
Jethro Tull
I can't remember Melanie and April Wine having played there, but that might be...!??
Master - Audience recording from my old Maxell XL II Tapes
My Artwork is included !!
This concert I taped with an old AIWA walkman and an extra stereo-microphone
(I can't remember what exact equipment I used those days), but what I do remember
that it was my first concert I taped with that equipment. (..and that there was
another guy standing diredctly beneath me also taping.
A long time friend of mine since then!!)
The sound quality is very good. This is a real and typical open air-recording
with many people around my microphone talking and shouting (specially
on these loud numbers like "Birds").
I recorded it in the middle of the audience about 25 meters from the stage on the left side.
This was my very first ever Neil Young in concert-experience in a long row.
..and for me it started with the worst.
I saw him so many times afterwards, but this here wasn't a real good start.
As I listened to it after many years I thought: oh, great start, but after half that
concert it's getting boring: so many bad songs, for example "Like an Inca" is way too
long - played here that evening with that band. I would love to hear it with the Horse,
could be there for 60 minutes, but not that version you will listen to here. And
the Hurricane is just a quick played simple Hurricane played for the about 50.000 people
on the field.
Anyway, as this is from my master. it's worth a download and put it in your collection.
Setlist:
Disc 01
On The Way Home
Don't Cry No Tears
Everybody Knows This Is Nowhere
Cortez The Killer
If You Got Love
Soul Of A Woman
Are You Ready For The Country?
Southern Man
Disc 02
A Little Thing Called Love
Old Man
The Needle And The Damage Done
Comes A Time
Birds
Band Introduction
Beggars Day
Like An Inca
Hey Hey, My My (Into The Black)
Cinnamon Girl
Like A Hurricane
Sample And Hold
Mr. Soul
Seed this wherever you like.
Do not sell. For trading only. ..and -of course- for fun!
Link
The Replacements - 1985 02 01 Cat's Cradle, Chapel Hill, NC
"They suck, but its kind of cool"
Show notes:
Show starts off rough, and goes downhill from there. There are some songs I probably missed, as they seem to start 10 songs for every 1 song they finish. Not sure about track 36, if anyone has a clue ...
Transfer notes:
This is tracked different than other transfers, I split out a few more songs.
1 intro
2 Tommy Gets His Tonsils Out
3 You Fuckers Suck Go Home Forever
4 I’m In Trouble
5 Love You Till Friday
6 20th Century Boy [T. Rex]
7 Wipe Out [The Surfaris]
8 I Will Dare
9 Favorite Thing
10 Unsatisfied
11 Johnny’s Gonna Die
12 Lookin For Ya
13 Heartbeat - It’s A Lovebeat [DeFranco Family]
14 Can’t Hardly Wait (aborted)
15 Left Of The Dial
16 Answering Machine
17 Customer
18 Color Me Impressed
19 The Fishin' Hole (aka Theme from Andy Griffith) [Earle Hagen]
20 Heartbreaker [Led Zeppelin]
21 Easier Said Than Done [The Essex]
22 Black Diamond
23 I Got You Babe [Sony & Cher]
24 Jessie’s Girl [Rick Springfield]
25 Walk On The Wild Side [Lou Reed]
26 Start Me Up [Rolling Stones]
27 I Just Want To Make Love To You [Willie Dixon]
28 1977
29 Love Will Keep Us Together [Captain & Tennille]
30 September Gurls [Big Star]
31 Memphis, Tennessee [Chuck Berry]
32 Take Me Down To The Hospital
33 Hitchin’ A Ride [Vanity Fair]
34 Baby Strange [T Rex]
35 Roadhouse Blues [The Doors]
36 ?? [?]
37 Hey Good Lookin’ [Hank Williams]
38 Time Is Tight [Booker T & The MG’s]
Lineage: Audience Master > unknown tape gen >
15 March 1981 Reseda, CA, USA
Excellent Audience
01. The Ocean
02. Twilight
03. I Will Follow
04. 11 O'Clock Tick Tock
05. An Cat Dubh
06. Into The Heart
07. Another Time, Another Place
08. The Electric Co.
09. Things To Make and Do
10. Stories For Boys
11. Boy-Girl
12. Out of Control
13. 11 O'Clock Tick Tock
14. The Ocean
15. I Will Follow
16. A Day Without Me
Link
