Peter Gabriel 1986-11-09 Onondaga County War Memorial Auditorium, Syracuse, Ny(DAVROS047)

 

Hi to all


Welcome to my series of mostly uncirculated masters & very low generation shows that i recorded or received in trades in my younger days most of my masters
have not been circulated or only traded once or twice i used to trade a lot in the 70s - 80s & i have many many shows well in excess of 7,500 tapes
Of these shows about 120 - 150 are  my masters they where always on my trading list but not many got traded so i boxed them all up in the late 80s now i have
decided to go through them  & upload some of them.
I recorded many bands from Genesis – Bowie – Springsteen  - Hawkwind  - Hackett – Gabriel – Marillion plus many many others i will try & upload a least
one  show a week if not two.
To record theses shows i used a Sony portable hand held tape recorder with built in stereo mics.  I always used good quality tapes to record on mainly T.D.K.  
I used to insert the tape deck in a empty coffee flask with the inside taken out of the flask to get past the security ah those where the days.
The only thing i ask is please don’t sell these recording & don’t convert to mp3 etc & if you do ( only for your own use ).  Please don’t change any of the files or
info files etc this is so that people can tell the difference between this source & other sources as many people like to compare different versions of shows.
Also please do not remaster these shows the reason for this is these days there are far to many remasters of shows. Its ok have one remaster etc, but some are
remastered that many times by different people there can be at least 10 different remasters of a show from the same source & it can get a bit tedious.



On to the show for your enjoyment Davros archives presents :-

Peter Gabriel - 1986-11-09  Onondaga County War Memorial Auditorium, Syracuse, NY ( Low Gen ) (DAVROS047)

Linage :-  Tape Trade  ( 2x C60 T.D.K-D )  - Demon tape deck - Yamaha Reciever - Phono Leads Into PC Soundcard - Nero Wave Editor -
               Wav - Tracks split - Traders Little Helper - Flac8 - SBE Checked - You.

TRACKS:-

01. SAN JACINTO.
02. RED RAIN.
03. SHOCK THE MONKEY.
04. FAMILY SNAPSHOTS.
05. I HAVE THE TOUCH. ( Last 10 seconds missing )
06. NO SELF CONTROL.
07. MERCY STREET.
08. THIS IS THE PICTURE.
09. DON'T GIVE UP.
10. BIGTIME.
11. LAY YOUR HANDS ON ME.
12. SLEDGEHAMMER.
13. HERE COMES THE FLOOD.
14. IN YOUR EYES.
15. BIKO.

The quality of this recording is good to very good at times, Bigtime for some reason is only fair and sounds muffled at times.

Many many thanks to the trader for sending me a copy & for the taper taping the show.  

I hope you enjoy this show please  if you want to upload it to other sites please wait a week or so as i will be uploading these shows to a couple of other torrent sites.
after it has run its course on here

As Usual Please dont convert to mp3 ( only for your own use if you do ) Please Keep all the info files md5 etc in the folder so that
other collectors know which version this is etc and  most of all DO NOT SELL.

PLEASE NOTE.

This series is from my own personal collection they are NOT SOURCED FROM ANY CDRs / OTHER TORRENT SITES ETC.
They are from recordings that i traded for between 20 - 35 years ago on audio tape as stated above they have all been boxed up for the past 20 or so years.
This is the first time any of them have been Digitally transfered and torrented. All i am doing to the recordings in nero wave editor is inproving the volume ( if low),
also equallizing the left and right channel where needed. Removing hiss etc ( If i can ).
Recordings in this series that have a generation linage are the correct linage as to what i was told when i was sent the recordings. Most of the traders i traded
with where well known traders so i have no reason to believe they are not the true Linage if i had any doubt to the linage at the time i did not write it
down on the tape so all the low generation recordings in this series have a well known and correct linage.

Please do not remaster any of theses If you wish to do remastering of this source find yourself a better quality version and remaster that.
This version is how i remembered hearing it all them years ago and how it sounded when it was recorded the way it should be heard.     
 
Please also buy the bands offical stuff and support them etc.
Thanks to all the Artists for there great music and to all the traders for keeping live music alive.

Uploaded to Genesis-the movement by imaster1 (doctordavros) 15/08/2012


Many thanks Doctordavros ( one day the daleks will rule ).

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Peter Gabriel 1993-09-29 Velodromo Estadio Nacional, Santiago, Chile(FM)

Peter Gabriel
29-Sep-1993
Velodromo Estadio Nacional, Santiago
Chile

FM
A+
2CD-R

Lineage (not many informations sorry got this one in a trade like 90% of my gabriel bootlegs)
FM----Trade-----CD-R------Free CD Ripper V1.9 Flac------Dime

Cd-1

Intro Music/ Zaar (removed because contains official material from the "passion" record)
Come Talk To Me
Quiet Stream
Steam
Games Without Frontiers
Across The River
Red Rain
Shaking The Tree
Family Snapshot
Kiss That Frog
Solsbury Hill

CD-2
Digging In The Dirt
Sledgehammer
Secret World
In Your Eyes
Wallflower (with guest-band Inti-Illimani)
Biko (with guest-band Inti-Illimani)



Nice FM from the South-American leg of the Secret World tour. NO COMMENTS FROM THE RADIO SPEAKER!!!

As Peter mentions in an interview, the South American gigs are not actual Secret World shows due to the cost of bringing the stage set along.

Interesting because Wallflower is played during the encore (only performance of the song on the tour) with guest-band Inti-Illimani, who also guest on Biko.

Across the River is among the highlights. The audience join Peter on the vocal loop which starts the song.

A few minor dropouts, but otherwise very clean and an excellent sounding show.


MD5 included and artwork (missing only the back sorry I couldn't the right one)

Enjoy!!!!

 

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Peter Gabriel 2023-05-21 Mediolanum Forum di Assago, Assago, Milano IT

Name:    Peter Gabriel - 2023-05-21 - Milano, Forum Assago **LDB Master Series #
Description:
LDB Master Series #440

Welcome to my Master Series which started way back in November 2005. This series is only about masters, concerts I
recorded myself either from audience or from radio/TV broadcasts. Occasionally I could also share masters that have
been kindly given to me by many friends and fellow tapers I have been meeting during my long career of live taping.

I have stopped seeding my masters after volume 400 about three years ago and since then I have shared just a few,
mostly to address requests from friends. I have not stopped recording shows, though, so there is quite an impressive
amount of files from my recordings that are yet uncirculated.

I have taken the liberty to look at those uncirculated masters and selected some which I thought were special for some reasons.
They will be seeded over here. Hope you will enjoy them!

PETER GABRIEL
Milano, Forum Assago
May 21, 2023

01.Intro Peter
02.Washing of the Water
03.Growing Up
04.Panopticom & Band Intro
05.Four Kinds of Horses
06.i/o
07.Digging in the Dirt
08.Playing for Time
09.Olive Tree
10.This Is Home
11.Sledgehammer
12.Darkness
13.Love Can Heal
14.Road to Joy
15.Don't Give Up
16.The Court
17.Red Rain
18.And Still
19.What Lies Ahead
20.Big Time
21.Live and Let Live
22.Solsbury Hill
23.In Your Eyes
24.Biko

TT 157:23

Lineage: SP-CMC-25 (cardioid) > Zoom H4n (24bit/48kHz) > HD > SoundForge Pro 13.0 > CD Wave > FLAC Frontend (level 6) > FLAC files

Peter Gabriel: Vocals, Piano
Tony Levin: Bass, Stick, Backing Vocals
Manu Katche: Drums
David Rhodes: Guitars, Backing Vocals
Don-E: Keyboards
Richard Evans: Flute, Guitars
Ayanna Witter-Johnson: Cello, Piano, Vocals
Marina Moore: Violine, Vocals
Josh Shpak: Trumpet, French Horn, Keyboards, Vocals

When the f**k is a concert with the new songs coming? :-) I hear you saying that in The Movement community, so here it is!

Sound quality I would say is very good but not excellent, I was sitting far away from the stage but considering all circumstances I would say the recording is enjoyable. This is for The Movement only, please do not post it elsewhere.

At the beginning I had some problems with the mikes and had to remove them from my hat, causing a few minutes of noise during Peter's introduction at the beginning of the show. No music is impacted, luckily.

12 songs out of 23 were brand new and it was a good challenge to keep the attention high. But the man did it and the audience of the Forum reacted enthusiastically. Some chit-chat from people around me but nothing very disturbing.

Best moments for me were: Four Kinds of Horses, This Is Home, Love Can Heal (masterpiece!), What Lies Ahead and And Still.

Enjoy the listen!

ldb aka metro_cubo 

 

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Peter Gabriel 1977-09-27 Apollo Manchester, UK

MUPPET06:
Peter Gabriel
Apollo, Manchester, UK
September 27, 1977

Disc 1:

1. Here Comes the Flood - 2.30
2. Slowburn - 5.10
3. Moribund the Burgermeister - 5.25
4. Modern Love - 4.54
5. Indigo - 4.24
6. Humdrum - 4.26
7. White Shadow - 4.51
8. I Heard It through the Grapevine - 8.39

Disc 2:

1. Excuse Me - 5.26
2. Waiting for the Big One - 7.02
3. Band Introductions - 1.15
4. Solsbury Hill - 4.51
5. Down the Dolce Vita - 5.58
6. On the Air - 4.43
7. All Day and All of the Night - 5.05
8. Here Comes the Flood - 7.00
9. The Lamb Lies Down on Broadway (ending cut) - 1.35

Total Running Time: 83.14

-------------------------

MUPPET06 covers a performance from Peter's first solo tour. After leaving Genesis, Peter decided to go into a totally different direction, musically. The first album shows this: there's a wide range of styles, ranging from the well-known Solsbury Hill to the epic Here Comes the Flood and the humorous Excuse Me.

Peter's first tour was, like the album, very varied: it contained songs from the first album, a Genesis song, funky covers, totally reworked covers and perhaps the most interesting: early versions of songs which would eventually be released on later albums.

The set opens with Here Comes the Flood. It's very different from the album version: this one is stripped to the basics. The complete band joins in for a powerful version of Slowburn, which goes right into the eerie Moribund the Burgermeister. During the "I Will Found Out" part of the latter song, Peter used to lie down on the stage, making evil grins, while close lights were focused on his face.

Among the more familiar Modern Love and Humdrum there are a few unusual tracks on the first disc: Indigo is played here before it was released on the second Peter Gabriel album. Also White Shadow was played already during this tour. It's very interesting to listen to, because the arrangements and structure would be radically different on the final release. Also, lyrics would still have to be written.
The disc closes with the Marvin Gaye cover I Heard It through the Grapevine. During the first leg of the tour, Peter had played Gaye's Ain't That Peculiar. For the second leg, he chose to do this one. The song is completely re-arranged, with synthesizer sequences running through the whole song. One of the highlights of the set, IMO.

Next, we're going into more humorous territory: the barber-quartet Excuse Me, with Tony Levin on tuba, followed by Waiting for the Big One.

Moving towards the end of the set, we find another cover: All Day and All of the Night, sequeing out of On the Air. It shows Gabriel and the band are perfectly capable of delivering a more rocking, power-driven song. The set ends with the full band album-arrangement of Here Comes the Flood. The encore, which was just partially on the recording is a gesture to various Genesis fans in the audience: The Lamb Lies Down Down on Broadway.

This recording truly captures the feeling of being there that night. Usually I hate these kind of titles, but for this one I make an exception: hope you enjoy this INTIMATE EVENING WITH PETER GABRIEL!


WHAT WAS DONE?

First of all, after a 32-bit-conversion, the recording was set to the right speed. The recording was equalized. To improve the dynamics, multiband compression was used. Some final equalization was done and the subharmonic frequencies were removed after that.

This was also the first time I used reverb. I used just a little bit of it, which is not really instantly noticeable. It's like the salt we put in our food :)

There were a couple of clicks and loud noises throughout the recording, which were removed. Also a couple of drop-outs were restored. Some of the drop-outs are still noticeable, but they are at least less obvious and less annoying.

There's a skip in the beginning of White Shadow, two or three seconds into the track. I was not able to solve this problem, I used a very short fade/out and fade/in though to make it more pleasing to the ears.

Finally, the recording was normalized.


Jesper Moonen
March 27, 2004

If you have any comments, a question, or perhaps even have an unusual Gabriel recording, which you would like to hear remastered, just send me an e-mail at sledgehammer86@hotmail.com
or visit the Yahoo-group at:
http://groups.yahoo.com/group/MUPPET_remasters/


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Peter Gabriel 1977-03-15 Music Hall Cleveland, OH(Broken Eyes and Contaact Lenses) PRRP

Visit http://prrp-music.com for all of our releases

SPECIAL ANNIVERSARY EDITION 02
"Hello Everyone! My, It's been a fun-filled 2 years, hasn't it? Imagine that... 2 years already! And to celebrate the occasion, we are offering you this very
special show. This recording was sourced from the Pre-FM Master Reels of the Radio Broadcast, a source which was previously unavailable until now. The
result is much higher quality sound compared to other available versions of this concert. We hope that you agree. Now, it is time for us to move on to
our 3rd year. We already have some real dandies in the works. Just wait and see :) Thank You for Supporting PRRP!

PRRPSAE02-PETER GABRIEL
BROKEN EYES AND CONTACT LENSES
March 15, 1977 (Music Hall - Cleveland, Ohio)

1.1 Here Comes The Flood (Piano Version) 2:57
1.2 On the Air 4:08
1.3 Moribund The Burgermeister 4:47
1.4 Waiting For The Big One 7:53
1.5 A Song Without Words 3:53
1.6 Excuse Me 3:20
1.7 Solsbury Hill 5:17
1.8 Ain't That Peculiar 5:17
1.9 Why Don't We 7:08
1.10 Humdrum 4:19
1.11 Peter Talking 1:11
1.12 Slowburn 5:20
1.13 All Day And All Of The Night 4:12

2.1 Here Comes The Flood (Band Version) 4:12
2.2 Modern Love 4:37
2.3 Band Introductions 1:09
2.4 Down The Dolce Vita 10:36
2.5 Back In N.Y.C. 7:37
Bonus Track
2.6 Peter Gabriel Interview-Piccadilly Radio
(April 1977-Manchester,UK) 15:56

Peter Gabriel - Lead Vocals, Piano, Flute and Percussions
Dusty Rhodes (aka-Robert Fripp - Guitars & Effects
Steve Hunter- Lead Guitars
Tony Levin - Bass Guitars, Stick, Backing Vocals
Larry Fast - Synthesizers
Alan Schwartzberg - Drums, Percussion and Backing Vocals
Phil Aaberg - Keyboards and Backing Vocals
John Maelen - Percussion and Backing Vocals

YOU CAN KEEP MY THINGS…
    The tempest had died down. It was done.  Peter Gabriel had left Genesis in 1975 after The LAMB LIES DOWN ON BROADWAY tour and was now about to
embark upon a whole new venture as a solo artist.  Phil Collins was the new lead singer of the band Gabriel had left behind, and with the albums A TRICK
 OF THE TAIL and WIND AND WUTHERING, both released in 1976, Genesis were enjoying new levels of success in album sales and concert attendances.  This
prompted mixed feelings for their ex-frontman, as he would later explain: “It felt kind of strange for me. I mean, I was very happy for the guys because I
knew they could make it without me but it’s strange how the way people feel about you can change so fast. When I was with Genesis, just because of
the costumes and the stage shows, people assumed that I ‘was’ Genesis, that I was doing everything, which was a faulty vision that I constantly fought
to dispel. But when I had left and the band was reaching new heights, people started to assume that I had done nothing, which was a bit ego-bruising,
to say the least !”…
   With that in mind, Peter Gabriel now had to prove that he could stand alone and create his own musical world.  No easy task after such an incredible
 run with as great a band as Genesis was then, but Gabriel was never a man to shy away from a challenge From the very start, he knew that he had to
be as different from Genesis as possible, Both musically and visually - no more long and syncopated musical suites, no more batwings and flower masks. 
The last months of 1975 and the first half of 1976 were spent at his home in England, resting with his family and slowly writing new material on the piano. 
Having dug deep into his own musical background, he created a very special collection of songs, each of which had a distinct personality of its own,
and he set about recording his first solo album.  In an effort to get away from the archetypal ‘English’ rock sound, Gabriel sought the help of American
producer Bob Ezrin, well known for his work with Alice Cooper and Kiss.  Most of the resulting album was recorded at Soundstage studio in Toronto,
Canada. Ezrin’s involvement in the project undoubtedly helped bring forth the raw sound that Gabriel was looking for, but it was the choice of musicians
 in his new recording band that would ultimately make this first solo album such a departure from Gabriel’s previous recorded work.
   Steve Hunter’s harsh guitar licks and Allan Schwartzberg’s heavy drums were as far removed from the Hackett-Collins combination as could possibly be
imagined, while Larry Fast’s discrete synthesizer work couldn’t be further away from Tony Banks’ huge presence on the keyboards. Add Tony Levin, an
amazing bass player with a unique style of his own, and the brilliant ex-King Crimson guitarist Robert Fripp (who would insist on staying in the shadows,
both on the album and the ensuing tour when he was referred to only as ‘Dusty Rhodes’), and you have all the elements needed to create an album as
different from Genesis and progressive rock in general as a fly is from a windshield !  To further accentuate the contrast, Gabriel would also bring in
orchestral arrangements for one of the songs, another first for the ex-Genesis angel.  One could still hear vague musical remnants of Peter’s days with
Genesis in songs like “Moribund The Burgermeister” and “Down The Dolce Vita”, but for the most part, this first solo effort was very fresh in its overall
approach and it came as a delightful surprise to Peter Gabriel fans the world over.  The advertising campaign which accompanied the release of the
album in February 1977 advised listeners to ‘Expect The Unexpected’.  Wise words indeed.
   With the album and first single “Solsbury Hill” achieving deserved success, March 1977 saw Gabriel taking his new music out on the road.  Electing to
avoid using costumes and elaborate stage choreography, Gabriel’s voice, body and music would now be the only weapons he would use to try and
conquer a whole new audience.  The set list consisted of the new album in its entirety, along with early versions of new songs that would later appear on
his second album, and even a few covers.  By the time the tour reached the UK, the following month, “Why Don’t We?” had been dropped from the set,
never to reappear live or in a recorded version.
   Was the surprisingly heavy interpretation of Genesis’ “Back In NYC” as an encore a concession to his older fans ?  Only Peter could tell us but after playing
 “The Lamb Lies Down On Broadway” on the 1978-79 tour for his second album, no more Genesis song would ever be included in the set list of a Peter
Gabriel show.  The man was intent on making it on his own !  And it all began with the 1977 tour for his first album, from which we proudly bring you this
exceptional recording of what was only Gabriel’s sixth ever solo performance.  We most certainly hope that you are going to enjoy it as much as we do.
PRRP Staff

Notes from the Re-Master
            This recording comes to us as a CD copy of the master pre-FM reels. The show was initially broadcast in the Cleveland area which has lead to a
number of versions of the recording being available to the public. But this is the first time, to our knowledge; this pre-FM source has been available.
            Despite its Pre-FM status there was still quite a bit of noise in this recording. Multiple techniques of noise reduction were tried but eventually an
inversion-subtraction method was found to be most effective. This noise cancellation technique was variably applied throughout the show as needed to
reduce the perceived noise. Manual removal of pops and clicks was necessary as was selective removal of an occasional buzz.
            Tonality also needed a bit of adjustment. The original source was quite deficient in the bass and sub-bass components. Those were boosted. There
were sections with prominent bass drum where even further bass enhancements were needed. Other sections were a little excessive in the treble range.
Rather than a global treble reduction, a dynamic de-esser in the high treble range seemed most effective. This technique smoothed both the excessive
sounding “SS” when sung and the occasional piercing character of the high toned instruments.
            Track gaps were found and removed. Some audience noise was reduced in volume but not was cut in length. The discs were re-balanced
because the interview was added at the end of the show. This required a mix-pasting of the original cut in the show but fortunately, no patch was
necessary as the cut occurred during applause. Finally, a small amount of echo was added to enhance the sound. Since this was a soundboard
recording the presence was a bit dry and the sound character of a truly live performance was lacking. Adding a bit of echo helped to correct this
problem.
            The Interview section had quite a bit of noise that needed reduction. Two different techniques were used to accomplish this. The tonality also
needed adjustment. Bass was reduced and treble/midrange was enhanced to better understand the dialogue. Frequent pops and clicks occurred and
were manually removed. Finally, the Right channel was suppressed compared to the left and so the two channels were re-balanced.
 

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Peter Gabriel 1986-11-22 The Centrum Worcester, MA

 

Peter Gabriel 1986-11-22 The Centrum Worcester MA (T-551)

This release is sourced from cassette tapes I got in trade many years ago from a fellow taper.

Original tapes > unknown
Maxell XLII-S C-90 & 60 Cassettes >
Playback: Tascam 130 >
ADS Tech Instant Music RDX-150 input SPDIF 
     output USB to computer 16 bit 44.1 Khz >
Audacity > Sony Sound Forge Audio Studio 9.0 > WAV > CD Wave Editor 16 bit 44.1 Khz > FLAC

   1.  (intro) 
   2.  San Jacinto
   3.  Red Rain
   4.  Shock The Monkey
   5.  Family Snapshot
   6.  I Have The Touch
   7.  The Family And The Fishing Net
   8.  Not One Of Us
   9.  Mercy Street
 10.  This Is The Picture (Excellent Birds)
 11.  Big Time
 12.  Don't Give Up
 13.  Lay Your Hands On Me
 14.  Sledgehammer
 15.  Here Comes The Flood
 16.  (band introduction)
 17.  In Your Eyes
 18.  Biko

I equalized, balanced, and optimized the volume of the recording.  I removed the blank spaces and fixed the tape flips.  I removed a repeated segment, checked and corrected the speed.  Then I split the recording into song tracks.   I did the editing, mastering (tweaking), analog to digital transfer of this release.  Screen caps of Audacity before (raw) and after (final) are included.  Don't add to, change or remove any of these files.  Keep the text and md5 files unaltered, together with the FLAC's

Don't rename directories or file names if you share this.  My concern is that when people rename them they drop information like date, venue, location, T number.  This information is useful to others when searching for or deciding which version of a show they want or already have.

Don't alter the sound of this recording.  The T releases are not to be used as a source for anyones so called remastering projects.  I'm also making available the raw source recording I worked from for this release. It's has (T source raw) in the folder name.  Anyone that wants to work on the raw source recording is free to do that as long as you mention the source tape you used.  Don't use T-551 version as a source because that one shows what I can do.  Use the (T source raw) recording for your source, it's the one I worked from.  Show us how much better you can do than I did.

For Trade or Give Away Only - Do Not Sell - Do Not Encode As MP3 Virus Files - MD or any other format which degrades the quality of the recording

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