THE OUTSIDE TOUR
September, 1995 - July, 1996 (100 shows)
the band:
David Bowie - vocals + sax
Carlos Alomar - guitars & bandleader
Reeves Gabrels - lead guitar
Gail Ann Dorsey - bass, bass synthesizer + vocals
Mike Garson - keyboards
Zachary Alford - drums
George Simms - backing vocals + keyboards
Peter Schwartz - keyboards- rhythm guitar & backing vocals
October 09 1995
Lakewood Amphitheatre
Atlanta, GA, USA
(Monday)
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Show #15.
An incomplete Rock Solid AUDIENCE recording was issued as 2 bootlegs.
Deranged Pigs (Hurricane-021) and You Can't Stop Us (YCSU-436)
What is missing is the sequence of:
Hallo Spaceboy
Hurt
Look Back In Anger
I'm Deranged
essentially only the very beginning of David's set
There are 2 other traded sources, but they aren’t as clear as these, and ALL the traded sources use the same source for the beginning of the show. Listen to the velcro-like sound 2.5 mins into subterraneans when the sax comes in.
The sound quality drops dramatically in Hallo Spaceboy, but its still pretty solidly stereo. At the bedinning of “I’m Deranged,” David says “Allo Grass People,” as a shoutout to those on the lawn. How much of this you can hear or if its included at all will tell you which of the other 2 source tapes you have.
So!
Lineage here:
Factory Pressed Discs > xACT (secure extraction) + Cassettes > wav files (Steveboy)
Sound Studio (checking files, retracking, balancing levels, crossfading sources, track split) > xACT (Flac level5)
And here you have the whole evening minus the Prick set.
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Total Time 154:01
Disc One 74:48
01 terrible lie (cuts in) 04:12
02 march of the pigs 04:10
03 the becoming 04:41
04 sanctified 07:19
05 piggy 04:21
06 burn 05:04
07 closer 06:27
08 wish 03:40
09 gave up 04:31
10 down in it 04:22
11 eraser 04:00
12 subterraneans 04:35
13 scary 05:27
14 reptile 06:21
15 hallo spaceboy (patches begin) 05:22
16 as end of disc 00:09
Disc Two 79:31
17 as beginning of disc 00:07
16 hurt 06:13
17 look back in anger 05:08
18 i'm deranged 05:29
19 the hearts filthy lesson (patches end) 05:10
20 the voyeur of utter destruction (as beauty) 05:02
21 i have not been to oxford town 04:20
22 outside 04:27
23 andy warhol 03:45
24 breaking glass 03:40
25 the man who sold the world 03:36
26 we prick you 04:17
27 joe the lion 03:58
28 a small plot of land 06:12
29 nite flights 05:52
30 band intro 00:39
31 under pressure 04:03
32 teenage wildlife 07:24
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track times of the main source used here:
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You Can't Stop Us total time 69:49
01 Terrible Lie (cuts in) 04:13
02 March Of The Pigs 04:13
03 The Becoming 04:41
04 Sanctified 07:16
05 Piggy 04:26
06 Burn 04:56
07 Closer 06:31
08 Wish 03:40
09 Gave Up 04:36
10 Down In It 04:44
11 Eraser (Instrumental) 03:36
12 Subterraneans 04:29
13 Scary Monsters (And Super Creeps) 05:29
14 Reptile 06:21
15 Hallo Spaceboy (fades out) 00:34
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Deranged Pigs total time 62:29
01 The Hearts Filthy Lesson 05:10
02 The Voyeur Of Utter Destruction (As Beauty) 05:02
03 I Have Not Been To Oxford Town 04:20
04 Outside 04:32
05 Andy Warhol 03:39
06 Breaking Glass 03:41
07 The Man Who Sold The World 03:37
08 We Prick You 04:18
09 Joe The Lion 04:09
10 A Small Plot Of Land 06:08
11 Nite Flights 06:28
12 Under Pressure 03:58
13 Teenage Wildlife 07:24
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;flac fingerprints generated by xACT 2.48 on 2019-11-20 22:07:04 +0000
01 terrible lie (cuts in).flac:bff7831352307a3f41f019b4321608aa
02 march of the pigs.flac:22cdf58f7ed34f000559ab4f71ed20af
03 the becoming.flac:1c6742e65a4679c3e34c2ea2ed061ea8
04 sanctified.flac:abaf352322aacaa9c0afdad30a75d9a5
05 piggy.flac:381366116b8ba17580eacc13d78a276f
06 burn.flac:b8b144c05540433213f0f0a256905014
07 closer.flac:acf4ac4612556249530a8260d07f72c1
08 wish.flac:aff1885410d7d869ad51ee4156240433
09 gave up.flac:1e2f72214dc1f793730f2169bbb5bd23
10 down in it.flac:2eca04d9763c9c1e2fb798c1269c1996
11 eraser.flac:5e6b9b7cffe3da2799885e0952552b4a
12 subterraneans.flac:b2b236c044130fa1b038cb7a73207589
13 scary monsters.flac:9f7f3f54a06c69ab396bd610b3665906
14 reptile.flac:a10f7d3201e369807c08173bd8c82a1f
15 hallo spaceboy (patches begin).flac:7ffa1f16c68e5c166fbfa589a73e0bb5
16 as end of disc.flac:6cf9dc77e3f8f89cb50f72fcd264cf31
15 as beginning of disc.flac:e52e2c6d4e251477e4f172fdb1115f99
16 hurt.flac:6d5fa0ab345ff79baec3d5530241e64a
17 look back in anger.flac:f84a2d904675d6a915e9ca9653545af1
18 i'm deranged.flac:e843fac78c614fa61214f6ae8aec3af6
19 the hearts filthy lesson (patches end).flac:d547f89f1e23066fe2527825a69c6931
20 the voyeur of utter destruction (as beauty).flac:871974a5eba8bb7fd84337f5a4c27b8e
21 i have not been to oxford town.flac:79493e5fd2ae4505d84c16ce96d62a20
22 outside.flac:a1f36b8e1bec4ba4ebc5e9389c344f48
23 andy warhol.flac:67cae5533178c7b77480c0e41a913131
24 breaking glass.flac:ad1eb3ea30856e275740fd91e995a4cc
25 the man who sold the world.flac:2662ba68ed2b01d6aef54934702076c2
26 we prick you.flac:c145fafcbbed721363a79723d87f59e5
27 joe the lion.flac:dc5ea897a2e82e2f7b586c1b7ba1e5b7
28 a small plot of land.flac:709238e1a86d6a48efa0c8d0461a3ae2
29 nite flights.flac:af83c3c0611f97152ab3d8f59fafe951
30 band intro.flac:ba8bb49f405e4fe4579a589cd2a5e56b
31 under pressure.flac:316d11db1602ef4db512d41d1625ac0b
32 teenage wildlife.flac:f54128abb0e8154bde036c21312ca6d7
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TW Comments:
This was a pretty strange concert. NIN was good enough. There was some mosh pit activity, but it was way tamer than I thought it would be. Security was very very tight. I usually succeed at getting up front in concerts. But they were naziesque security guards that wouldnt let you out of your seat everywhere. I couldnt get up front at all. Even the mosh pit area was very docile. Back where I was in was a freaking mausoleum. And I wasnt that far back. I expected a NIN concert to be a lot more exciting. People are so conservative in the South. It was exciting how they led into Bowie, with Bowie and NIN together. That was really cool. Bowie's setlist was mostly from Outside. It wasnt terribly well received by the audience and most people left after NIN got off the stage. I felt embarassed for Bowie. His outside music was for a more mature audience than the NIN fans I guess. The only hits he played were scary monsters and under pressure; thats fine with me because i like his more obscure music best: but i dont think it sat too well the majority. the songs i liked best were: subterraneans, oxford town, breaking glass, im deranged. i think alot of people left during im deranged. it was too free form and interpretive for the people who just wanted to get their heads blown off by loud beats. I love getting my head blown off by loud beats, dont get me wrong. but i always like the cerebral stuff. i think what ruined this concert was the uptight venue. i couldnt beleive that if you really wanted to go belly-stage you could not, even if there was plenty of room further up you couldnt leave your area. the security was too strict. maybe they thought since it was nin people would be going wild. but it was just the opposite. this was one of the most unenthusiastic crowds ive seen. Bowies performance was fine, and i loved his draping indian clothes. very feminine and pretty and exotic. the setlist was varied, totally non-commercial and well played.
dejah-thoris (dejah@teenagewildlife.com)
atlanta, ga usa - Thursday, June 20, 2002 at 15:02:32 (EDT)
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I was living in ATL @ the time. A friend of mine who drives a limo called me that night at 7:00pm and said he was driving a bunch of big wigs from Virgin around. They asked if he wanted some backstage passes. He gave me a call and picked me up in the limo. The backstage pass let me go everywhere but the artist's dressing rooms. I walked down to the front row and checked out the show. I'm a Bowie fan, but not really a "hard-core" fan, so I didn't know many of the songs. The show was cool enough and I saw Trent walking backstage. Never saw Bowie. I still have the backstage pass on the fridge. Same thing happen two weeks later with REM. Cool show.
James
LA, CA - Monday, May 01, 2000 at 02:30:07 (EDT)
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db etree comments on the NIN set:
"Includes some songs not played on previous tours such as The Becoming, the new version of Sanctified (pianos instead of bass guitar), the Rick Rubin remix of Piggy, the vocal-flanged-modified version of Gave Up, and the instrumental version of Eraser ('Version With Worms' remix?) Track four has a new quick drum introduction to the new version of Sanctified. The intro to Scary Monsters is a slow instrumental that plays like A Warm Place until Trent begins playing the saxaphone and David Bowie starts speaking overtop of the music. Then loud drums begin playing and improvised guitars kick in for a few seconds starting Scary Monsters."
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