Friends And Other Strangers
(The Soundboard Master Tapes
TSMT-001/002)
Warehouse, New Orleans, LA - May
3rd, 1976
Disc 1:
01 If (Dennis Hopper),
02 Battle Of New Orleans (Bob Neuwirth),
03 Rock And Roll Across The USA (Kinky Friedman),
04 Dear Abbie (Kinky Friedman),
05 Asshole From El Paso (Kinky Friedman),
06 Mr. Tambourine Man (Bob Dylan),
07 Love Minus Zero/No Limit (Bob Dylan),
08 Vincent Van Gogh (Bob Dylan & Bob
Neuwirth),
09 Maggie’s Farm (Bob Dylan & Guam),
10 Mozambique (Bob Dylan & Guam),
11 Isis (Bob Dylan & Guam),
12 Jolly Roger (Roger McGuinn),
13 Lover Of The Bayou (Roger McGuinn),
14 Chestnut Mare (Roger McGuinn),
15 The Night They Drove Old Dixie Down (Joan
Baez)
Disc 2:
01 Diamonds And Rust (Joan Baez),
02 Railroad Boy (Bob Dylan &
Joan Baez),
03 I Pity The Poor Immigrant (Bob
Dylan & Joan Baez),
04 Shelter From The Storm (Bob Dylan
& Guam),
05 Stuck Inside Of Mobile With The
Memphis Blues Again (Bob Dylan & Guam),
06 You’re A Big Girl Now (Bob
Dylan & Guam),
07 Rita May (Bob Dylan & Guam),
08 Lay Lady Lay (Bob Dylan &
Guam),
09 Idiot Wind (Bob Dylan &
Guam),
10 Knockin’ On Heaven’s Door
(Bob Dylan & Guam),
- Gotta Travel On (Bob Dylan & Guam)
Bob Dylan and the RTR played two
shows at the Warehouse in New Orleans on May 3rd, 1976. The evening
show is sourced from an excellent quality soundboard recording. One
of the earliest titles featuring material from this show is Memphis
Blues (Excitable Records 4500) released in 1979 on one disc with most
of the Dylan numbers. Together (Bob Dylan & Joan Baez) (Reunion)
is a German release from 1985 that highlighting their duets and
contains “Rita Mae” from New Orleans. Another vinyl title with
this show is At The Warehouse (”TAKRL”) also from 1985.
Dared To Be Free (Rock Calendar 2109)
is one of the earliest compact disc releases and is a copy from the
vinyl TAKRL. Rolling Thunder Revue (Flashback 01.94.0225) was issued
1994. This release contains all but two of the Dylan songs (dropping
“Isis” and “You’re A Big Girl Now”) but containing most of
the non-Dylan numbers. The same year Wanted Man released Hold The
Fort Lock Up The Warehouse (WMM 040/041) with “Stuck Inside Of
Mobile With The Memphis Blues Again,” “You’re A big Girl Now,”
“Rita Mae,” and “Lay Lady Lay” from this set along with
tracks from Forth Worth and Oklahoma City.
The following year Live At The
Warehouse (Yellow Cat YC 038/039) was issued with only the Dylan
numbers except for “Isis.” This title was copied in 2001 on
non-label release from Japan. Acoustic Thunder (Wild Wolf 75/76) is
compilation released in 1999 containing rare acoustic numbers during
the RTR and contains “Love Minus Zero / No Limit” from this show.
Creatures Void Of Form (Razor’s Edge RAZ 001) documents “Mr
Tambourine Man,” “Love Minus Zero,” “Vincent Van Gogh.”
“Maggie’s Farm,” ”Railroad Boy,” “I Pity The Poor
Immigrant,” ”Rita May,” “Knockin’ On Heaven’s Door,”
and “Gotta Travel On” from this show along with tracks from San
Antonio and Oklahoma City.
Friends And Other Strangers on the
TSMT label utilize a copy of the master soundboard recording. The
sound quality on this is a considerable improvement over all previous
release and can be considered definitive. All of the Dylan
performances are present and a selection of the other numbers fill
out the balance of the set with ”Isis” being the biggest cut in
the tape, eliminating the final several minutes of the song. The
first disc picks up the show after the first eight numbers played by
Guam: “Cindy (When I Get Home),” “Flint Hill Special,”
“Werewolves Of London,” “Too Good To Be Wasted,” “Mad Man,”
“Tears On My Pillow,” “A Lady Is Still A Lady,” and “Is
There Life On Mars?” It picks up when actor Dennis Hopper hits the
stage and him remarking how dark it is. He says, “if is the middle
word in ‘life’ in the English language.” (This is close to
what he says also in his role as an American photojournalist in the
movie Apocalypse Now, filmed that same year). He gives a dramatic
reading of the Rudyard Kipling poem “If”:
“If you can keep your head when all
about you
Are losing theirs and blaming it on
you,
If you can trust yourself when all
men doubt you
But make allowance for their doubting
too,
If you can wait and not be tired by
waiting,
Or being lied about, don’t deal in
lies,
Or being hated, don’t give way to
hating,
And yet don’t look too good, nor
talk too wise:
“If you can dream–and not make
dreams your master,
If you can think–and not make
thoughts your aim;
If you can meet with Triumph and
Disaster
And treat those two impostors just
the same;
If you can bear to hear the truth
you’ve spoken
Twisted by knaves to make a trap for
fools,
Or watch the things you gave your
life to, broken,
And stoop and build ‘em up with
worn-out tools:
“If you can make one heap of all
your winnings
And risk it all on one turn of
pitch-and-toss,
And lose, and start again at your
beginnings
And never breath a word about your
loss;
If you can force your heart and nerve
and sinew
To serve your turn long after they
are gone,
And so hold on when there is nothing
in you
Except the Will which says to them:
‘Hold on!’
“If you can talk with crowds and
keep your virtue,
Or walk with kings–nor lose the
common touch,
If neither foes nor loving friends
can hurt you;
If all men count with you, but none
too much,
If you can fill the unforgiving
minute
With sixty seconds’ worth of
distance run,
Yours is the Earth and everything
that’s in it,
And–which is more–you’ll be a
Man, my son!”
“The Battle Of New Orleans” sung
by Bob Neuwirth is an appropriate song given the place, and three
irreverent songs by Kinky Friedman follow. The first two Dylan songs
are played alone accompanying himself on acoustic guitar. “Love
Minus Zero / No Limit” makes its only appearance on the second RTR
tour. Dylan’s work with Guam begins with the duet ”Vincent Van
Gogh” with Bob Neuwirth which is followed by the intense ”Maggie’s
Farm” played during this tour. Dylan exaggerates the hillbilly
accent during the chorus lending a counterpoint of irony to the song,
but he sings so intensely he has to pause before the final “I ain’t
gonna work on Maggie’s farm no more” and clears his throat. Two
songs from Desire follow. ”Isis” is played with a heavy rock
beat and is unfortunately cut after four and a half minutes, but that
is a flaw on the source tape and there is nothing that can be done
(unless an audience tape were to surface).
Three of the four Roger McGuinn songs
(”Eight Miles High” being the omission) and two of seven Joan
Baez are included (”Do Right Woman, Do Right Man,” “Turn Me
Around,” “Love Song To A Stranger Part II,” “Sweeter For Me,”
and “Dancing In The Streets” omitted). “Diamonds And Rusts”
begins with Baez saying in her best Ernestine accent, “oh Mick
Ronson I’m gonna die. No I have my little program all worked out
and I can’t go around begin too flexible. Just trying to learn how
to breath again. I know it’s difficult for you down there. It’s
difficult up here too.” The two Baez duets with Dylan, “Railroad
Boy” and “I Pity The Poor Immigrant” follow.
The final Dylan set takes up the bulk
of disc two beginning with “Shelter From The Storm.” The
acoustic arrangement from Blood On The Trackswas transformed into an
electric, fuzz laden stomper with Dylan shouting out the lyrics. The
vulnerable desire for salvation is changed into a diatribe from one
demanding respect wrapped into the hero’s hubris. After “You’re
A Big Girl Now” the only ever live performance of “Rita Mae”
follows. This Desire outtake, released two years after this show on
the rare Masterpieces LP, sounds awesome and one that should have
made more live appearances.
The weight of these performances lay
in “Idiot Wind” which effectively replaced “Hurricane” in the
set list for giving purpose to the proceedings. This performance
seems to drag as Dylan spits out the lyrics. “We’re gonna go
after this song - get a transfusion” are Dylan’s words before the
final eight minute version of “Gotta Travel On” where everybody
it seems takes a solo. Friends And Other Strangers is packaged in a
gorgeous digipack with many period photos on the artwork and given
the sound quality and excellent performance is worth having.
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